Journal of Film Preservation Archive

The table of contents of each issue of the Journal of Film Preservation is listed below. 
Please click on the appropriate cover to access the table of contents.

You can consult each issue of the Journal of Film Preservation and its predecessor the FIAF Bulletin for free on the Calameo platform.

You can also search the index of the entire collection of the Journal of Film Preservation HERE.

#50 - March 1995

#51 - November 1995

#52 - April 1996

#53 - November 1996

#54 - April 1997

#55 - December 1997

#56 - June 1998

#57 - December 1998

#58/59 - October 1999

#60/61 - July 2000

#62 - April 2001

#63 - October 2001

#64 - April 2002

#65 - December 2002

#66 - October 2003

#67 - June 2004

#68 - December 2004

#69 - May 2005

#70 - November 2005

#71 - July 2006

#72 - November 2006

#73 - April 2007

#74/75 - November 2007

#76 - April 2008

#77/78 - October 2008

#79/80 - May 2009

#81 - November 2009

#82 - April 2010

#83 - November 2010

#84 - April 2011

#85 - October 2012

#86 - April 2012

#87 -  October 2012

#88 - April 2013

#89 - October 2013

#90 - April 2014

#91 - October 2014

              #92 - April 2015

           #93 - October 2015

#94 - April 2016

#95 - October 2016

#96 - April 2017

#97 - October 2017

#98 - April 2018

#99 - October 2018

#100 - April 2019

#101 - October 2019

#102 - April 2020

#103 - October 2020

#104 - April 2021

#105 - November 2021

#106 - April 2022

#107 - October 2022

#108 - April 2023

#109 - November 2023

#110 - April 2024

JOURNAL OF FILM PRESERVATION #110

April 2024

EDITORIAL
Elaine Burrows

OPEN FORUM
The Technical Collection at the Deutsche Kinemathek, Berlin
Martin Koerber |

Nuevas tecnologías para la digitalización del patrimonio audiovisual: prácticas y métodos del Laboratorio de Preservación Audiovisual del Archivo General de la Universidad de la República (Uruguay)
Isabel Wschebor

Diazinteregio, le réseau mutualiste de la mémoire filmique des territoires
Stéphanie Ange

FILM MUSEUMS DOSSIER
Introduction au dossier
Stéphanie E. Louis

MOMI Dearest A Personal Reminiscence about London’s Museum of the Moving Image
Neal Potter

In Search of a Technological Film Museum in Brazil
Hernani Heffner

The Cinema Playground
Winai Sombunna and Chalida Uabumrungjit

The Academy Museum of Motion Pictures: A Glimpse Behind the Curtain
Doris Berger

Filmmuseum Potsdam and its Exhibitions
Michael Fürst and Johanne Hoppe

Le Musée Lumière, rue du Premier-Film à Lyon
Leslie Pichot et Maelle Arnaud

ACMI and The Story of the Moving Image
Matt Millikan, Susan Bye, and Seb Chan 

ARCHIVES AT WORK

L’Isola Scomparsa. Fragments: Reconstruction and Reflections
Gabriele Perrone

L’Accident et Tabataba : Rencontre entre la Cinémathèque française et la Cinémathèque Afrique – Institut français autour de deux restaurations
Léa Baron, Noémie Jean, Hervé Pichard et Mehdi Taibi

REVIEWS

Before the Paris Fire: Projecting the Cinematograph in London from 1889 – 4th May 1897
Charles Musser

Du nouveau sur la « Eisnerine » et ses écrans démoniaques
Laurent Mannoni

Exploring Past Images in a Digital Age: Reinventing the Archive
Asli Özgen

Women in Focus: A Toolkit for Archiving Women’s Amateur Film
Carolina Guasina

The Cinema of Powell & Pressburger
David Sharp

The Story of Victorian Film
Elif Rongen-Kaynakiçi

Accidental Archivism
Helen de Witt

L’Histoire d’Une histoire du cinéma
Jean-Michel Frodon

Revisão de Filmes: Manual Básico and Nos Rastros de Limite – um estudo de caso na história da preservação das imagens em movimento no Brasil
Laura Batitucci

Quelques événements sans signification à reconstituer
Peter Limbrick

Magnificent Méliès; The Authorized Biography
Stephen Bottomore

The Spanish Dancer
Alexander Sergeant

Thamp̄ / The Circus Tent
C. S. Venkateswaran

The Man Without a World
Maggie Hennefeld

Herzog Blaubarts Burg / Bluebeard’s Castle
Mark Fuller

Perlicky na dně / Pearls of the Deep
Michael Brooke

L’Aventure cinématographique de La Croisière jaune
Samantha Leroy

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JOURNAL OF FILM PRESERVATION #109

November 2023

EDITORIAL
Peter Bagrov

OPEN FORUM
2023 FIAF Award Acceptance Speech
Guillermo del Toro

Une itinérance de la mémoire filmique des territoires
Stéphanie Ange

APEX cumple quince años y los celebra con minga en Ecuador
Juana Suárez y Paul Narváez Sevilla

Sensitive Institutions. The Case of the Dovzhenko Centre
Oleksandr Teliuk and Olena Honcharuk

Stephen Herbert (1951-2023)
Deac Rossell

Curating 16mm: The Example of the Kodascope Collection in France
Benoît Carpentier

The 100th Anniversary of 16mm Film
Brian Pritchard

CINEMA EXHIBITIONS DOSSIER
CinEx Lab: un espace pour intensifier la réflexion collective sur l’exposition des collections extra-filmiques
Stéphanie E. Louis

Musées du cinéma et muséologie : quelques pistes de réflexion
Donata Pesenti Campagnoni

Towards a Film Museum – Following the French Model: 60 Jahre Film and the Internationale Filmkunstausstellung
Stephan Ahrens

Film Exhibitions at the Deutsche Kinemathek
Peter Mänz

Les expositions de la Cinémathèque française et les enjeux de leur diffusion
Agathe Moroval

La production des catalogues d’expositions de la Cinémathèque française
Sylvie Vallon

ARCHIVES AT WORK
Searching for Foolish Wives:The Decades-Long Effort to Reconstruct and Restore Erich von Stroheim’s Masterpiece
James Layton

L’Occhio di Shivah or Il Tesoro della caverna.(Re)constructing a “Baby” Production
Gabriele Perrone and Maurilio Forestieri

From Shanty Town to Silver Screen. How and Why Film Heritage Foundation Finds and Restores Indian Cinema
Shivendra Singh Dungarpur and Teesha Cherian

REVIEWS
The Mahatma on Celluloid: A Cinematic Biography
Dhara Shah

De l’écran géant à l’espace domestique. Histoires et esthétiques des formats cinématographiques
Donata Pesenti Campagnoni

La Séance de cinéma. Espaces, pratiques, imaginaires
Jean-Michel Frodon

L’Équipe de film au travail. Créations artistiques et cadres industriel
Michel Cadé

La Septième Porte. Une histoire du cinéma au Maroc de 1907 à 1986
Peter Limbrick

Tales from the Vaults: Film Technologyover the Years and across Continents / Histoires d’appareils: la technologie du cinéma à travers les années et les continents
Peter Walsh

Keeping Memories:Cinema and Archiving in the Asia-Pacific
Ray Edmondson

Le Cinéma dans l’oeil du collectionneur
Stéphane Tralongo

Až přijde kocour / The Cassandra Cat and Morgiana
Michael Brooke

BOOKSHOP

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JOURNAL OF FILM PRESERVATION #108

April 2023

EDITORIAL
Elaine Burrows

OPEN FORUM
2022 FIAF Award Acceptance Speech
Tilda Swinton

The Digital Statement Part II. Scanning for Preservation
The FIAF Technical Commission

Eternal Digital Storage: The Impossible Dream
David Walsh

Digital Film Preservation: A Survey of Ten Non-Profit European Film Archives
Elina Vagionaki

The Mosaic of Reality: Amateur Films Through the Lens of the Visible Archive
Lydia Pappas

The Making of 9½
Anna Briggs, Michele Manzolini, and Mirco Santi

Adrienne Mancia (1927-2022)
Jon Gartenberg

HISTORY

On the Occasion of the 50th Anniversary of the National Film Archive of the Democratic People’s Republic of Korea
Ri KumChol

Iris Barry y Luis Buñuel. De París a México, vía Nueva York
Esteve Riambau

ARCHIVES AT WORK

Des archivistes « passeurs de mémoire » collaborent à la préservation du patrimoine cinématographique africain
Joseph Bamogo, Léonce Tira, Marc Trille et Charlotte Werner

Renovating Mr. Menzies’s Martians
Scott MacQueen

Restoring and Distributing Films from European Archives: A Season of Classic Films
Paulina Reizi

Flemish Non-Fiction Film Heritage Mapped Out
Bruno Mestdagh and Céline Vermeire

REVIEWS

Activating the Archive. A Call to Action
Maral Mohsenin

Chronology of the Birth of Cinema 1833-1896
Charles Musser

The Optilogue: An Internet Treasure Chest
Laurent Mannoni

Sguardi Privati. Teorie e prassi del cinema amatoriale
Paolo Simoni

Camille Legrand. Un opérateur Pathé sur la route des Indes, 1895-1920
Jean-Claude Seguin

De l’assemblage au montage cinématographique. Instauration et standardisation d’une pratique
Paolo Cherchi Usai

FIAF’s Periodicals Indexing Project: Celebrating the P.I.P.’s First 50 Years 1972-2022
Thelma Ross

Raymond Borde. Une autre histoire du cinéma
Donata Pesenti

Skřivánci na niti/Larks on a String
Michael Brooke

Cinema’s First Nasty Women
Tami Williams

Voyage au Congo
Jean-Michel Frodon

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JOURNAL OF FILM PRESERVATION #107

October 2022

EDITORIAL
Elaine Burrows

OPEN FORUM
A New Start for the Cinemateca Brasileira
Gabriela Sousa de Queiroz, Nathália Colsato, and Olga Futemma

Accessibility Can’t Wait: The Need for Disabled Voices in the Film Archive
Michael Marlatt

Sur, paredón y después. La conferencia internacional Eye 2022
Carolina Cappa

Access Then and Now: An Introduction
Oliver Hanley and Elaine Burrows

Notes on the Helpful User Anno 2022
Christian Gosvig Olesen

Access is Not a One-Way Street: The Relation Between Access to Collections and Cataloguing
Adelheid Heftberger

Never the Twain Shall Meet? Technology and Access and the Question of “Authentic” Appearance
Oliver Hanley and Ulrich Ruedel

HISTORY
Miss-ing Movies: The Hunt for Women’s Film Histories
Elliana Jay Hamer

Retour sur la chronologie d’une invention : les brevets du Pathé-Baby
Anne Gourdet-Marès

Antoinette Sabrier en formats réduits, les versions Pathé du film de Germaine Dulac
Elvira Shahmiri

ARCHIVES AT WORK
Filling the Gaps in an Incomplete Film. Some Thoughts and Questions on Film Reconstruction
Louise Burkart

The Disaster, the Moving Images and the Film Archive: the “Films of the Great Kanto Earthquake of 1923” Website
Akira Tochigi

Restaurer André Antoine
Manon Billaut et Noémie Jean

Challenges of Gasparcolor Technology in the Digital Restoration of Gyula Macskássy Commercials
Eszter Fazekas and János Molnár

REVIEWS
De la scène à la pellicule. Théâtre, musique et cinéma autour de 1900
François Amy de la Bretèque

Les As de la manivelle. Le métier d’opérateur de prise de vues cinématographiques en France (1895-1930)
Alain Carou

Jacques Ledoux
Robert Daudelin

Early Cinema, Modernity and Visual Culture. The Imaginary of the Balkans
Marian Țuțui

Un cinéma en mouvement. Portabilité des appareils et formes filmiques
Giusy Pisano

Film. The Living Record of Our Memory
Esteve Riambau

Das Reichsfilmarchiv. Geschichte einer deutschen Institution.
Eva Orbanz

The Camera is Ours: Britain’s Women Documentary Makers
Caroline Merz

Noční jazdci/ Night Riders
Michael Brooke
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JOURNAL OF FILM PRESERVATION #106

April 2022

EDITORIAL
György Ráduly

OPEN FORUM
Living Proof. Exploring the Climate Crisis Through Archive Footage
Emily Munro

Fast Forward Thinking Will Save Our Digital Heritage
Charles Fairall

Non-Aligned Film Archives
Annabelle Aventurin, Léa Morin, Nour Ouayda

Laurent Bismuth (1965-2021)
Christine Braemer, Eric Le Roy, Béatrice de Pastre

Laurent Bismuth and FIAF
Thelma Ross and Nancy Goldman

Peter Bogdanovich (1939-2022)
Laurence Kardish

Vision and Determination: The Women Who Created FIAF’s Periodicals Indexing Project
Rutger Penne

HISTORY
David Francis Interview, Part II
Rachael Stoeltje

Tricolor, a System of “Natural Colours”
Hernani Heffner

ARCHIVES AT WORK
Segundo de Chomón y Barcelona, una atracción renovada: a propósito del 150 aniversario de su nacimiento
Rosa Cardona y Mariona Bruzzo

The Hong Kong Film Archive’s 20th Anniversary Celebrations
May Ng and Kevin Choi

Museo Nazionale del Cinema. A New Digital Lab in an Old Cinematheque
Gabriele Angelo Perrone 

REVIEWS
The Rise & Fall of Max Linder, the First Cinema Celebrity
Richard Abel 

Abel Gance, Charles Pathé. Correspondance (1918-1955)
Louis-Jean Decazes

The Story of British Animation
Chris Pallant 

An International Study of Film Museums
Stéphanie E. Louis 

The 9.5mm Vintage Film Encyclopaedia
Mirco Santi 

Black and White Bioscope: Making Movies in Africa 1899-1925
Emma Sandon 

A Coleção Colonial da Cinemateca /The Cinemateca’s Colonial Collection
Rui Lopes 

Analoge Kinefilme und Kinefilmtechnik. Grundlage der Umsetzung der Digitalisierung von Kinefilmen nach DIN SPEC 15587
Thomas Worschech  

André Antoine au cinéma. Une méthode expérimentale
Alain Carou

Thierry Zéno
David Vanden Bossche

Henry Brandt. Cinéaste et photographe : un projet pluridisciplinaire qui se donne les moyens de ses ambitions
Natacha Isoz

FIAF BOOKSHOP

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JOURNAL OF FILM PRESERVATION #105  
November 2021

EDITORIAL
Elaine Burrows

OPEN FORUM
How-To: Sharing Knowledge Among Generations of Archivists
Janneke van Dalen, Nadja Šičarov,Tania Aparicio, and Karen F. Gracy

Un protocolo para la digitalización de pequeños formatos
Nerea Ganzarain y Carlos Saldaña

Out-of-commerce Copyright Works in EU Film Archives: A Solution?
Melanie Stockton-Brown

Photography in the Service of Cinema: Still Photography in Early Italian Silent Films
Roberta Basano

Merging Murnau: Wikibase and Linked Open Data for Archives
Paul Duchesne and Adelheid Heftberger

Connecting and Cataloguing During COVID-19
Michelle Kirby

Madeline Matz (1936–2021)
Kim Tomadjoglou and Jon Gartenberg

Vittorio Boarini (1935–2021)
Gian Luca Farinelli

HISTORY
Film Preservation in Estonia: Past Spatial Futures
Eva Näripea 

Interview with David Francis - Part I
Rachael Stoeltje 

ARCHIVES AT WORK
Une Idée du monde selon Berthold Bartosch
Jean-Baptiste Garnero 

Resisting Xenophobia: Restoring Die Stadt ohne Juden
Fumiko Tsuneishi 

La vida posterior de los hechos. Algunos hitos de la recuperación de Un Verano Feliz (1972)
Felipe Montalva Peroni

REVIEWS 
The Cinema in Flux, The Evolution of Motion Picture Technology from the Magic Lantern to the Digital Era
Laurent Mannoni 

Scratches and Glitches: Observations on Preserving and Exhibiting Cinema in the Early 21st Century
Floris Paalman

Le Scénario : une source pour l’histoire du cinéma
Michel Cadé 

Special Effects and German Silent Film
Vanessa Scharrer

Furia española. Vida, obra, opiniones y milagros de Luis García Berlanga (1921-2021), cineasta
Ramón Alfonso Cayón

Augusto Genina: Il prezzo della bellezza / The Price of Beauty, Quattro film (1918–1930)
Elena Dagrada

Szaleńcy/Daredevils
Michael Brooke

Maria Lassnig – Film Works
Helen de Witt

Les Sorcières de l’Orient/ The Witches of the Orient/Tōyō no Majo
Hisashi Okajima

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JOURNAL OF FILM PRESERVATION #104  
April 2021

EDITORIAL
Elaine Burrows 

OPEN FORUM
Pour une relecture de l’éthique de la restauration et de la diffusion à l’aune du progrès technique
Caroline Fournier et Jeanne Pommeau 

The Digital Statement Part III. Image Restoration, Manipulation,Treatment, and Ethics

Robert Byrne, Caroline Fournier, Anne Gant,and Ulrich Ruedel 

Theatrical Projection in the Wake of the Pandemic
Jon Wengström 

Archive Film Stores in the Global South: Can They Combine Film Preservation with Sustainability?
Elli Nikolaidou, Harrison King, and David Coley 

Project for the Preservation of Argentinian Antarctic Cinema
Andrés Levinson 

Steven Ricci (1952-2020)
Michael Friend, Clyde Jeavons, and Roger Smither 

Pierre Véronneau (1946-2020)
Robert Daudelin 

The 2021 FIAF Award Acceptance Speech
Amitabh Bachchan and Shivendra Singh Dungarpur 

HISTORY
Entretien avec Robert Daudelin. Deuxième partie : Des années 1980 aux années 2000
Marina Gallet et Guillaume Lafleur

ARCHIVES AT WORK
The Best Seat in the House? Observations on Online Viewing and Access to FIAF Affiliates’Collections
Oliver Hanley

Faites confiance à notre algorithme
Emilie Cauquy, Nicolas Le Thierry d’Ennequin et Catherine Hulin

Film Heritage Streaming at the Danish Film Institute
Thomas C. Christensen and Lisbeth Richter Larsen

The Cinemateca do MAM’s José Carlos Avellar Conservation Centre
Hernani Heffner and José Quental

Ingmar Bergman, Archivist
Jan Holmberg

REVIEWS
Méliès. La Magie du cinéma
Donata Pesenti Campagnoni

Discovering Lost Films of Georges Méliès in fin-de-siècle Flip Books (1896-1901) / Des fragments de films Méliès disparus
ressuscités par des flip books (1896-1901)
Matthew Solomon

From Grain to Pixel – The Archival Life of Film in Transition,Third Revised Edition
Sonia Campanini 

Physical Characteristics of Early Films as Aids to Identification, New Expanded Edition
Paolo Cherchi Usai 

Update! Film- und Mediengeschichte im Zeitalter seiner digitalen Reproduzierbarkeit
Jan-Christopher Horak 

Performing Moving Images: Access, Archives and Affects
Helen de Witt 

70 anni della Cineteca Nazionale del Centro Sperimentale di Cinematografia (1949-2019)
Marie Frappat 

Patrimoine et patrimonialisation du cinéma
Donata Pesenti Campagnoni 

Filmy Jana Kříženeckého / The Films of Jan Kříženecký
Michael Brooke 

Die Stadt ohne Juden / The City Without Jews
Christian Rogowski 

Oblomok Imperii / Fragment of an Empire
Pamela Hutchinson 

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JOURNAL OF FILM PRESERVATION #103  
October 2020

EDITORIAL
Elaine Burrows 

COVID-19 DOSSIER
“I Can’t Breathe”. Extinction Rebellion to Film Preservation
Paolo Cherchi Usai

Lockdown in Bologna; or, Il Cinema Ritrovato Year Zero
Cecilia Cenciarelli 

“May You Live In Interesting Times”
Angela Doane

Hap pas hapi: Step by Step in Tirana
Iris Elezi

One Day at a Time
Paula Félix-Didier

Confinés, mais pas tout à fait
Frédéric Maire

Tū te mania, tū te whēke:Resilience and Adaptation Reflected in Māori Media During Lockdown
Heperi Mita and Sarah Davy 

From Travel to Digitisation:Scattered Thoughts on the Virus Ageand the Film Archive
Hisashi Okajima

Experiencias y reflexiones en tiempos de virus
Esteve Riambau

In the Time of Quarantine: NYC and MoMA
Katie Trainor 

The “New Normal” and COVID-19
Chalida Uabumrungjit

Recuerdos y porvenires
Hugo Villa Smythe

OPEN FORUM

Saulo, the Man Who Saved Limite
Walter Salles

Jörn Donner (1933-2020)
Antti Alanen

Michael Moulds (1929-2020)
Rutger Penne and Anthony Blampied

Qué aportan los soportes originales a la preservación cultural de la cinematografía
Alfonso del Amo García

Starting From Nothing: A Five-Year Training Milestone in India and the Subcontinent
Teesha Cherian and David Walsh

Lea aus dem Süden. Ethical and Practical Considerations for Digital Colour Transfer
Josephine Diecke, Giorgio Trumpy,Martin Weiss, Barbara Flueckiger

ARCHIVES AT WORK

Mystery of the Wax Museum. Restoring Two-Color Technicolor with Digital Tools
Scott MacQueen

One-Hundred-Year-Old Hungarian Newsreels – The Latest Research
Galina Torma

REVIEWS

Yannick Bellon. La mirada de frente
Stéphanie Louis

Showing and Telling: Film Heritage Institutions and Their Performance of Public Accountability
Sarah Davy 

The Translation of Films 1900-1950
Peter Walsh

La Cinémathèque-musée. Une innovation cinéphile au coeur de la patrimonialisation du cinéma en France (1944-1968)
Donata Pesenti Campagnoni

Daleká cesta / Distant Journey
Michael Brooke 

Les Rendez-vous de l’été
Michel Cadé

Czechmate: In Search of Jiří Menzel
Michael Brooke 

A magyar animáció gyöngyszemei / Gems of Hungarian Animation
Jez Stewart 

FIAF BOOKSHOP

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JOURNAL OF FILM PRESERVATION #102   
April 2020

EDITORIAL
Frédéric Maire 

OPEN FORUM
Eileen Bowser (1928-2019)
Ron Magliozzi, Jon Gartenberg and Robert Daudelin 

Paul Spehr (1931-2019)
Gregory Lukow 

Constructing History: Archives, Film Programming, and Preservation
Jan-Christopher Horak | 27

DIN SPEC 15587 – the New German Standard for the Digitisation of Cinematographic Film
Jörg Houpert and Egbert Koppe

The Sinematek/House of Cinema, Kadiköy,Istanbul
Jak Şalom 

HISTORY
Entretien avec Robert Daudelin Première partie : les années 1970
Marina Gallet & Guillaume Lafleur

On Ernest Lindgren's “Cataloguing the National Film Library” (1940)
Thelma Ross 

ARCHIVES AT WORK
Preserving the Photographic Collections of the BFI National Archive
Nigel Arthur

Documents non-film en numérique natif : nouveaux supports, nouvelles pratiques archivistiques ?
Vincent Spillmann

Prospecter, comparer, contextualiser : étude d’un corpus de photographies du cinéma français (1958-1968) dans
les collections de la Cinémathèque française
Juliette Huba-Mylek

La Cinemateca Uruguaya: desde la inviabilidad crónica hacia otro futuro posible
María José Santacreu y Alejandra Trelles

La sesión vuelve a empezar Proyectamos el pasado: Cine rodado en España de 1896 a 1910
Rosa Cardona, Iolanda Ribas y Daniel Sánchez-Salas

Staying Relevant in a Changing World: The DFF – Deutsches Filminstitut & Filmmuseum at 70
Ellen M. Harrington, Ines Bayer,David Kleingers, Christine Kopf & Thomas Worschech

D’une bibliothèque de films à une cinémathèque de la vidéo : les collections d’images animées
de la Bibliothèque nationale de France
Alain Carou

From Film to Stream – KAVI’s Elonet, Ten Years in the Making
Mikko Kuutti

REVIEWS
Qu’est-ce que le cinéma ?/What is Cinema?
Hélène Frazik

Process Cinema: Handmade Film in the Digital Age
Helen de Witt 

Inventing Cinema: Machines,Gestures and Media History
Stephen Herbert

Un monde et son double. Regards sur l’entreprise visuelle des Archives de la planète (1919-1931)
Stéphanie E. Louis

The Art of Film Projection: A Beginner’s Guide
Rob Murphy

Der Hund von Baskerville
Laraine Porter

Bestia / The Polish Dancer
Michael Brooke 

Legend of the Witches / Secret Rites
Anthony Blampied

FIAF BOOKSHOP

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JOURNAL OF FILM PRESERVATION #101   
October 2019

EDITORIAL
Elaine Burrows

OPEN FORUM

Silent Film Speeds throughout Film History: Standards and Practices
Maral Mohsenin

Within Living Memory: A Portrait of the Wim Wenders Stiftung
Sofia S. Pires

De la collection des systèmes de projection à la reconstitution de spectacles cinématographiques : le fonds Jean-Pierre Verscheure
Denis Grizet

The Interoperable Master Format (IMF) in Film Preservation
Walter Arrighetti

The Kent Museum of the Moving Image
David Francis and Joss Marsh

The First Biennial Audio-Visual Archival Summer School (BAVASS)
Rachael Stoeltje

Building Resources Together – Linked Open Data for Film Archives
Adelheid Heftberger

A Farewell Letter to FIAF
Erlendur Sveinsson

HISTORY

The British Kinematograph Society’s 1934 Report on Methods of Film Preservation
Kieron Webb

The Origins of the Library of Congress Paper Print Collection
Charles “Buckey” Grimm

Freddy Buache et la FIAF
Nadia Roch

Enno Patalas: An Appreciation
Stefan Drössler

ARCHIVES AT WORK

Loopline
Kasandra O’Connell

The Restoration of Gräfin Küchenfee
David Emery

Los olvidados. La restauración como memoria e instancia estética
Gabriele Angelo Perrone

Bibliotecología cinematográfica en el Centro de Capacitación Cinematográfica, (CCC), Ciudad de México
Lisa Danielle Johnson Mújica, Rodrigo Mota Lazzari, Enrique Mendoza Rojas, Isabel Huerta Olvera

REVIEWS

Hollywood Goes Latin: Spanish-Language Cinema in Los Angeles
Colin Gunckel

Silent Cinema: A Guide to Study, Research and Curatorship
Laurent Mannoni

Futurs de l’obsolescence : Essai sur la restauration du film d’artiste
Cécile Dazord

Prípad Barnabáš Kos / The Barnabáš Kos Case
Michael Brooke

Let’s Go in to a Picture Show
Michael Hammond

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JOURNAL OF FILM PRESERVATION #100   
April 2019

EDITORIAL
Elaine Burrows

OUR HISTORY
The FIAF Information Bulletin and the Journal of Film Preservation: A Historical Overview
Christophe Dupin

David Francis on Ernest Lindgren

Vladimír Opela on the First FIAF Summer School

Jan-Christopher Horak on the FIAF Information Bulletin and the Brighton Congress

Eva Orbanz on Harold Brown and the Communication of Knowledge

Wolfgang Klaue on the UNESCO Recommendation for the Safeguarding and Preservation of Moving Images

Elaine Burrows on the National Film (and Television) Archive’s Catalogues

Catherine A. Surowiec on the Giornate del Cinema Muto

Roger Smither on His Own Article on the FIAF Nitrate Project

Freddy Buache sur La Crise des cinémathèques... et du monde
Frédéric Maire & Freddy Buache

Hisashi Okajima on Ray Edmondson

Eric Le Roy sur « La mémoire des archives » d’Eric de Kuyper

Esteve Riambau comenta dos artículos sobre Luis Buñuel

Paolo Cherchi Usai on Alexander Horwath

Robert Daudelin sur son entretien avec José Manuel Costa

Edith Kramer on Mark Toscano’s “Archiving Brakhage”

REVIEWS
The Colour Fantastic. Chromatic Worlds of Silent Cinema
Eva Hielscher

Silent Features. Essays on Silent Feature-Length Films 1914-1934
Pamela Hutchinson

The Greatest Films Never Seen, The Film Archive and the Copyright Smokescreen
Annabelle Shaw

The Guide to Movie Lists
Antti Alanen

Príchozí z temnot / Otrávené svetlo (The Arrival from The Darkness / The Poisoned Light)
Michael Brooke

L’Empire de la perfection
Stéphanie Louis

                                                                                                                                                                                           TOP OF THE PAGE                                                                                                

JOURNAL OF FILM PRESERVATION #99    
October 2018

EDITORIAL
Elaine Burrows

OPEN FORUM

Africa in the World of Moving Image Archiving: Challenges and Opportunities in the 21st Century
Aboubakar Sanogo

The Digital Statement - Part 1
The FIAF Technical Commission

Slow Disasters: How Neglect Continues to Destroy our Film Heritage
David Walsh 

The Third Annual FIAF/Cinémathèque française Winter School: Programming Film Heritage
Rachael Stoeltje

Le Cadre juridique de la programmation de films
Catherine Hulin 

Les Questions juridiques relatives à la programmation: le cas spécifique des oeuvres orphelines
Karine Nonnon 

Copyright, Rights Research, and Orphan Works in the UK
Annabelle Shaw

A Movement Begins in Sri Lanka
David Walsh, Mick Newnham,and Shivendra Singh Dungarpur 

Madeleine Malthête-Méliès (1923-2018)
Laurent Mannoni

Pierre Rissient (1936-2018)
Eric Le Roy 

Enno Patalas (1929-2018)
Werner Sudendorf and Jan-Christopher Horak 

HISTORY
FIAF: From a Promising Start to Forced Hibernation (1938-1945)
Christophe Dupin

Fifty Years of the Slovenian Film Archives
Tatjana Rezec Stibilj and Lojz Tršan

Rapatrier l’oeuvre de Georges Méliès: la collection de Madeleine Malthête-Méliès
Anne-Marie Quévrain

ARCHIVES AT WORK
The Wooden Vault. A Unique Approach to Nitrate Film Storage at Filmarchiv Austria
Anna Dobringer

Des villes, des cinémas, des ambiances. Trois applications numériques et contributives pour explorer les rapports entre la ville et le cinéma
Jérémie Bancilhon, Nicolas Tixier et Peggy Zejgman-Lecarme

La recuperación de un significativo film marroquí: De quelques évènements sans signification (Mostafa Derkaoui, 1974)
Rosa Cardona, Léa Morin y Esteve Riambau

Digitising 25,000 Films a Year. A Challenge for Filmarchiv Austria
Fumiko Tsuneishi

La Cineteca FICG de la Universidad de Guadalajara: Un nuevo esfuerzo para preservar y difundir el lenguaje de las imágenes
en movimiento en el occidente de México
Iván Trujillo Bolio y Bibiana Tenorio Orozco

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JOURNAL OF FILM PRESERVATION #98
April 2018

EDITORIAL
Michal Bregant

OPEN FORUM
Un rêve qui prend forme : la Cinémathèque tunisienne
Hichem Ben Ammar & Mohamed Challouf 

The Place of Analogue and the Double Life of Digital
José Manuel Costa

David Abelevic Kaufman and Erich Hans Oswald, Carl Maria Stroheim von Nordenwald
or The wind bloweth where it listeth.
Helmut Färber

Quand l’amateur s’y colle.(Modes d’)emploi de la presse à coller les films dans le cinéma amateur entre 1910 et 1930.
Thomas Godefroy

A Challenge, Olympic in Both Its Nature and Its Scale
Adrian Wood

The Colour Group (Great Britain) A Brief Introduction
Elza Tantcheva-Burdge

The Academy and Cinema Lighting: The Pre-Eminence of Excellence over Expedience

Jonathan Erland

Visual Appearance of Silent Era Toning:Silver-Iodide-Based Mordant Colours in the Agfa Kine-Handbuch and the Joseph Joye Collection
Ulrich Ruedel

Henri Bousquet (1923-2017)
Stéphanie Salmon

ARCHIVES AT WORK
Du référencement d’items à la description muséale et archivistique des collections
Martine Azpitarte-Vignot & Laurent Bismuth

Un museo para el cine argentino
Paula Félix-Didier & Andrés Levinson

La collection d’appareils de la Cinémathèque québécoise
Pierre Véronneau

La Cinemateca Dominicana: retos y oportunidades de un archivo fílmico en desarrollo en el Caribe
Caroline Figueroa Fuentes & José Enrique Rodríguez

BOOKS
La Culture cinématographique du mouvement ciné-club. Une histoire de cinéphiles (1944-1999)
Stéphanie Louis

Sustainable Audiovisual Collections Through Collaboration: Proceedings of the 2016 Joint Technical Symposium
Yvonne Ng

Moving Image and Sound Collections for Archivists
Rachael Stoeltje

DVDS
Project Shirley
Laurence Kardish

Jacinto Esteva
Jean-Paul Aubert

Lisboa, Crónica Anedótica
Paulo Cunha

FIAF BOOKSHOP

                                                                                                                                                                                       TOP OF THE PAGE

JOURNAL OF FILM PRESERVATION #97
October 2017

EDITORIAL
Frédéric Maire

OPEN FORUM
The Search for the Lost Colours of Albatros Films
Bregt Lameris

Vie(s) de Jésus. Essai d’identification et de compréhension
Camille Blot-Wellens

Between the Archive and the Multiplex: 35mm Film Programming in the Post-film Era
Brian Meacham

Programmation, « le champ des possibles ».La Winter School de la FIAF à la Cinémathèque française
Stéphanie Louis

Moving Image Cataloguing and Metadata Management in the 21st Century
Thelma Ross and Georg Eckes

Documenting Cinema: The Evolution of the Film Librarian
Anne Coco and Jenny Romero

The 2017 FIAF Award Acceptance Speech
Christopher Nolan

A Museum of the Everyday: Personal Collections at the Cinema Museum
Jack Wormell, Matthew Harle,and Olwen Terris

John Kuiper (1928–2017)
Eileen Bowser and Paul Spehr

Aito Mäkinen (1927-2017)
Antti Alanen

Maria Rita Galvão (1939-2017)
Carlos Roberto de Souza

HISTORY
The Fondazione Cineteca Italiana at 70
Luisa Comencini

Past Witness: 40 years of the North West Film Archive
Marion Hewitt

The Cineteca del Friuli at 40
Elena Beltrami

Commemorating 50 Years of Solidarity in Film and Film Archiving
Vhong Mai Thi and André Stufkens

ARCHIVES AT WORK
A Rebirth and a Funeral: The Cinémathèque Québécoise Restores a Long-Lost Actuality by Canadian Film Pioneer Léo-Ernest Ouimet
Louis Pelletier

The BFI’s New British Filmography
Stephen McConnachie

De cómo se re-convirtió un viejo Telecine SD en un escáner cuadro a cuadro con resolución 2k o superior en Uruguay
Isabel Wschebor

BOOKS
Film History as Media Archaeology. Tracking Digital Cinema
Andrea Mariani

Making KODAK Film
Ulrich Ruedel

King of Jazz: Paul Whiteman’s Technicolor Revue
Clyde Jeavons

Yesterday’s Films for Tomorrow
Shruti Narayanswamy

DVDS
German Concentration Camps Factual Survey
Michael Brooke

Trésors du cinéma yiddish
Ania Szczepanska

Le Groupe 5. Claude Goretta, Jean-Jacques Lagrange, Jean-Louis Roy, Michel Soutter, Alain Tanner.
Roxane Gray

FIAF BOOKSHOP

                                                                                                                                                                                                                                                                                            TOP OF THE PAGE

JOURNAL OF FILM PRESERVATION #96
April 2017

EDITORIAL
Jan-Christopher Horak

OPEN FORUM
A Decentralized Model: The United States of America – Politics and the Road to Preserving a National Film Heritage
Susan Oxtoby

“Standing in the Way of White Noise”: Preserving Videotape in a Film Collection
Alessandra Luciano

The Old Life. Reframing Film “Restoration”: Some Notes
Alexander Horwath

Audiovisual Archives and the Web
Luke McKernan

Matroska and FFV1: One File Format for Film and Video Archiving?
Reto Kromer 

Michelle Aubert (1942-2016)
David Francis & Eric le Roy

Peter Konlechner (1936–2016)
Alexander Horwath & Michael Loebenstein

ARCHIVES AT WORK
The Coexistence of Analogue and Digital Strategies in the Archival Film Collections of the Swedish Film Institute
Jon Wengström

Let’s Go to the Movies… Allons au Lichtspiel
David Landolf

The San Francisco Silent Film Festival: What Is a Festival Doing As an Affiliate of FIAF?
Robert Byrne

Digital Restoration of Czech Film Heritage: 14 Film Programmes Back on Screens, 2014-2017
Matéj Strnad

Limiting Colour Grading for Two-colour Film Restoration. Utilising a Spectroradiometer to Create a Specific LUT
Masaki Daibo, Tomohiro Hasegawa & Kasuki Miura

Finding Santi-Vina
Sanchai Chotirosseranee

Filmarchiv Austria. The National Library of the Moving Image
Armin Loacker

BOOKS
Exposing the Film Apparatus: The Film Archive as a Research Laboratory
Diego Cavallotti

Redder van de tiende muze: Jan de Vaal en het Nederlands Filmmuseum 1946-1987
Peter Bosma

The FIAF Moving Image Cataloguing Manual
Kara Van Malssen

DVDS
Play On!: Shakespeare in Silent Film
Olwen Terris

Magyar Filmhíradó Évfolyam 1956
Michael Brooke

Slovenský film: Blu-ray kolekcia
Michael Brooke

La Vie est à nous, Le Temps des cerises et autres films du Front populaire
Joël Daire

FIAF BOOKSHOP

                                                                                                                                                                                                                      TOP OF THE PAGE

JOURNAL OF FILM PRESERVATION #95
October 2016

EDITORIAL
Rachael Stoeltje

OPEN FORUM
Becoming an “Expert System”:An Investigation Into the Public Role of Film Heritage Institutes
Nico de Klerk

Film Preservation & Restoration Workshop India 2016
Spencer Christiano

Christian Dimitriu (1945-2016)
Robert Daudelin

¿Quién era Christian Dimitriu?
Iván Trujillo Bolio

Ib Monty (1930-2016)
Dan Nissen

Faut-il manipuler les images du passé pour les transmettre?
Béatrice de Pastre & Laurent Véray

ARCHIVES AT WORK
Herwinnen door werken (Reclaim through Work)
Rommy Albers

30 ans de mémoire filmée de la Bretagne
Cécile Petit-Vallaud & Gaël Naizet

Regional Archives – Negotiating the Actual and the Virtual in Changing Times
Frank Gray

Le syllogisme magique, ou qu’est-ce qu’une action culturelle (à la Cinémathèque française) ?
Bernard Benoliel

Amalia, Enrique García Velloso y Max Glücksmann
Paula Felix-Didier & Andrés Levinson

BOOKS
The Dawn of Technicolor, 1915-1935
David Walsh

The Appreciation of Film: The Postwar Film Society Movement and Film Culture in Britain
Melanie Selfe

DVDS
Resgate da Obra Cinematográfica de Gerson Tavares
Fabricio Felice

“Beat” Girl
Anthony Blampied

Tre filmer av Anja Breien
Clyde Jeavons

FIAF BOOKSHOP

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JOURNAL OF FILM PRESERVATION #94
April 2016

EDITORIAL
Gian Luca Farinelli 

OPEN FORUM
FoFA: The Future of Film Archiving
Charles Fairall 

FoFA Case Studies 2012-15
Jon Wengström, Anne Gant, Guy Edmonds, & Ulrich Ruedel

The Translation of Films: History, Preservation, Research, and Exhibition
Jean-François Cornu & Carol O’Sullivan

Penelope Houston (1927-2015)
Clyde Jeavons

Raymond Chirat (1922-2015)
Éric Le Roy 

P. K. Nair (1933-2016)
Shivendra Singh Dungarpur

HISTORY
Histoire(s) de la restauration des films
Marie Frappat 

ARCHIVES AT WORK
Maintaining Analogue Film Projection in the Digital Age
Jan Eberholst Olsen

A New Restoration Proposal Dedicated to New Discoveries: German Missionary Films Shot in Korea in 1925
Sowon Choi 

Tanger, ville ouverte
Elodie Saget

MUSIC AND SILENT CINEMA (Part II)
“Hab mich lieb.” The Development of a Music Score for Erich von Stroheim’s The Merry Widow
Maud Nelissen

Brasil – Cine Mudo y Música
Carlos Roberto de Souza 

An Interview with Neil Brand (Part II)
Bryony Dixon

Modern Times. Preserving and Performing Film Scores by Charles Chaplin
Timothy Brock

BOOKS
How Films Were Made & Shown. Some aspects of the technical side of motion picture film 1895-2015
David Walsh

A Revolution for the Screen: Abel Gance’s Napoleon
Richard Abel

Alexeïeff/Parker, montreurs d’ombres
Marco de Blois

Bilder des Jahrhunderts. Staatliches Filmarchiv der DDR, 1955-1990. Erinnerungen.
Jan-Christopher Horak

Jean Desmet’s Dream Factory: The Adventurous Years of Film (1907-1916)
Ulrich Ruedel

Léon Moussinac, un intellectuel communiste; Léon Moussinac, critique et théoricien des arts
Joël Daire

DVDs
A Century of Sound. The History of Sound in Motion Pictures
Brian Pritchard

Masterworks of the American Avant-Garde Experimental Film 1920-1970
David Curtis

Jornal Português, Revista Mensal de Actualidades, 1938-1951
Vicente Sánchez-Biosca

Make More Noise! Suffragettes in Silent Film
Gill Branston

Regards sur le réel
Serge Meurant

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JOURNAL OF FILM PRESERVATION #93
October 2015

EDITORIAL
Elaine Burrows

OPEN FORUM
Ethical Film Restoration and Concepts of “Original”
Krista Jamieson

Memory of the World: The Cinema Challenge
Ray Edmondson

“Undercranking”: The Magic Behind the Slapstick
Ben Model

The Film Preservation and Restoration School India. Mumbai, 22-28 February 2015
Camille Blot-Wellens & Kieron Webb

Tychic Motifs and Hidden Details: The Work of Yervant Gianikian & Angela Ricci Lucchi
Rinaldo Censi

ARCHIVES AT WORK
La dernière superproduction du cinéma muet italien : Restauration d’I Promessi Sposi de Mario Bonnard
Marcello Seregni

Nitrate Did Wait: A Report on the First Nitrate Picture Show at George Eastman House, 1-3 May 2015
Joanne Bernardi

Cambodge : Grandeur et misères de la sauvegarde des archives
Sopheap Chea

Lumière ! Sur la restauration de trois films du prince Albert Ier de Monaco
Vincent Vatrican

Re-fulfilling a Dream: Reconstructing Yossele Rosenblatt’s Dream of My People (1934)
Benny Bar-Yehuda

MUSIC AND SILENT CINEMA (Part I)
The Missing 50%: The Orchestration for The Birth of a Nation
Gillian B. Anderson

A Pragmatically Lavish Recreation: Notes on The Epic of Everest as DVD Film Performance
Julie Brown

An Interview with Neil Brand (Part I)
Bryony Dixon

Preparing New Scores for Fante-Anne and Brudeferden i Hardanger
Halldor Krogh

Researching Benshi Performance and Musical Accompaniment: The Complex Circumstances of Silent Film Screenings in Japan
Yoriaki Sazaki

BOOKS
Between the Eye and the World. The Emergence of the Point-of-View Shot
Martin Bonnard

Las cosas que hemos visto. Welles y Falstaff
Almudena Escobar López

From Darkness into Light
Clyde Jeavons

The Adventures of Jonathan Dennis – Bicultural Film Archiving Practice in Aotearoa New Zealand
Megan Skinner

DVDs
Fragments of Kubelka
David Curtis

Michael Brooke
FIAF Bookshop 

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JOURNAL OF FILM PRESERVATION #92
April 2015

EDITORIAL
Meg Labrum 

OPEN FORUM
Copyright and Film Restoration
Keith Shuaib

Considerations for Optical Soundtracks in a Future without Film
Robert J. Heiber

Rolf Lindfors (1939–2014)
Jon Wengström and Clyde Jeavons 

HISTORY
Entretien avec Lia van Leer
Éric Le Roy

A Nation’s Passion and Dreams: Thirty Years of the Thai Film Archive
Chalida Uabumrungjit

ARCHIVES AT WORK
Wilbur H. Durborough’s Lost and Future 1915 World War I Documentary Film
James W. Castellan

The Multiple Versions of Joseph Rosenthal’s Siege and Surrender of Port Arthur (1905)
Masaki Daibo

The Pedro Lima Archive(s)
Arthur Autran

Algérie, Maroc, Liban, Tunisie : le silence des archives ?
Léa Morin

Legado Cinematográfico de Jorge Ruíz
Claudio Sánchez

Film Preservation: A Malawian Nightmare
Bright Joshua

Reconstructing Welles: An Endless Puzzle
Esteve Riambau

Restoring and Completing German Concentration Camps Factual Survey (1945/2014), Formerly Known as Memory of the Camps
Toby Haggith

BOOKS
Le mélodrame filmique revisité / Revisiting Film Melodrama
Linda Williams

Decades Never Start on Time: A Richard Roud Anthology
Richard Lowell MacDonald

Saul Bass: Anatomy of Film Design
Henning Engelke

Hitchcock Lost and Found: The Forgotten Films
Nathalie Morris

DVDS
In the Land of the Head Hunters
Luke McKernan

Polska szkoła dokumentu – Polish School of the Documentary
Michael Brooke

The Battles of Coronel and Falkland Islands
Fiona Kelly

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JOURNAL OF FILM PRESERVATION #91
October 2014

Editorial
Michael Loebenstein 

Open Forum
Suggested Template for a Collection Policy
Paolo Cherchi Usai, Jon Wengström & Elaine Burrows

Jan Švankmajer
Michael Brooke

One Day in February 1914: The Birth of the Tramp Celebration
Cecilia Cenciarelli

Indian Cinema – A Vanishing Legacy
Shivendra Singh Dungarpur

The Digital Projection of Archival Films Project: Phase One
Jonathan Erland

Hoos Blotkamp
Gabrielle Claes

Manuel Martínez Carril
Christian Dimitriu

Peter von Bagh
Antti Alanen

Mary Lea Bandy
Charles Silver

History
Raymond Borde et Henri Langlois, 1957-1965: 
retour sur une histoire de cinémathèques
Natacha Laurent

"Such People We Need". The Founding of the Österreichisches Filmmuseum and its Admission to FIAF
Eszter Kondor

El desarrollo del cine de animación en Brasil y la creación del Centro
Técnico Audiovisual
Débora  Butruce

Reproducing the Original Colour Appearance of an Early Colour Film Process. Digital Restoration of 1930s Gasparcolor Prints
Andrea Krämer

Archives at work
The Special Collections of the BFI National Archive
Nathalie Morris

"Lost” Films Return Home – Successful Cases of Repatriation
Liu  Dong

Inauguration de la Fondation Jérôme Seydoux-Pathé à Paris
Laurent Mannoni

Books
Pathé, à la conquête du cinéma (1896-1929)
Laurent  Mannoni

Lady in the Dark: Iris Barry and the Art of Film
Antonia  Lant

Epstein, une vie de cinéma
Prosper Hillairet

Work/s in Progress: Digital Film Restoration within Archives
Joe  Lindner

DVDs
Celluloid Man
Ramesh Kumar

Luftskipet “Norge”s flukt over Polhavet / The Airship Norge’s Flight
Across the Arctic Ocean
Clyde Jeavons

The Epic of Everest
Luke McKernan

FIAF Bookshop

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JOURNAL OF FILM PRESERVATION #90
April 2014

Editorial
Mimi Gjorgoska-Ilievska

Open Forum
Attack of the Little Green Mould
Gavin D. Bingley and Joanna Verran

Digital Preservation for Film Archives and the OAIS
David Walsh

History
Regard neuf sur Olympia 52, ou l’histoire du premier long-métrage
de Chris Marker
Julien Faraut

The Adventures of Jonathan Dennis, Founding Director of the
New Zealand Film Archive
Emma Jean Kelly

Archives at work
World War I Goes Online: The EU Project “European Film Gateway 1914” - Digitizes Films from and about the First World War
Georg Eckes

Restoring The Battle of the Somme  and The Battle of the Ancre and Advance of the Tanks
David Walsh and Toby Haggith

America’s World War I Collection
Christina Kovac

The Great War Down Under: The New Zealand Film Archive’s and Sound Archive’s WW100 Projects
James Taylor

Les collections d’appareils de la Cinémathèque française et du CNC
(1940-2013)
Laurent Mannoni

Pruning Movies for Education in the 1940s and 1950s:
Teaching Film Custodians Presents… Cleopatra without Cleopatra!
Rachael Stoeltje

Georgian Films Can Wait [?]
Nino Dzandzava

Tesoros del cine a ras de suelo
Nere Pagola y Joxean Fernández

Books
Magic Lantern, Panorama and Moving Picture Shows in Ireland, 1786-1909; Film Exhibition and Distribution in Ireland, 1909-2010.
Ian Christie

Cinémathèques et archives du film
Pierre Véronneau

L’avenir de la memoire: Patrimoine, Restauration, Réemploi cinématographique(s)
Michèle Lagny

Film Festival Yearbook 5: Archival Film Festivals
Clyde Jeavons

DVDs
The Complete Humphrey Jennings
Geoff Brown

Charlie Chaplin: The Mutual Comedies 1916-17
Michael  Brooke

Arne Skouen: Den Komplette Filmsamlingen
[The Complete Film Collection]
Clyde Jeavons

Regard neuf sur Olympia 52
Luke McKernan

FIAF Bookshop

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JOURNAL OF FILM PRESERVATION #89
October 2013

Editorial
David Walsh

Open Forum
A Love Letter to Film
Hisashi Okajima 

Film Archives after Film
Gian Luca Farinelli 

Cinéaste et restauratrice - Entretien avec Agnès Varda
Esteve Riambau 

A Beginners’ Guide to Collection Policies
Elaine Burrows, Paolo Cherchi Usai, Luca Giuliani, Katie Trainor 
and Jon Wengström

African Heritage and the School on Wheels Experience
Luca Giuliani 

"What is Restoration?"- FOCAL International Conference Report
Luke McKernan

CineOP – Muestra de Cine de Ouro Preto
Hernani Heffner 

In Memoriam: Vladimir Dmitriev (1940-2013)
Natacha Laurent

History
FIAF Oral History Interview: Wolfgang Klaue
Eva Orbanz and Karl Griep

The Diligent Dutchman: Jan de Vaal and FIAF (1946-1952)
Mirjam van Kempen

FIAF and the Antipodes: The Long Path to the National Film and Sound Archive of Australia (NFSA)
Ray Edmondson

The Cinémathèque royale de Belgique:The First 75 Years… And the Next
Nicola Mazzanti

ARCHIVES AT WORK
Archiving Disaster: Multiple Versions of Documentary Films about the Great Kanto Earthquake
Jo Osawa

Unexpected Treasure: The NFSA’s Corrick Collection
Sally Jackson, Meg Labrum and Leslie Anne Lewis

Film, Data, Action! The BFI Collections Are Now Just a Click Away
Maria-José de Esteban with Gabriele Popp, Stephen McConnachie 
and Helen Edmunds

Behind an Experimental Film Heritage:Preservation and Restoration Protocols and Issues
Lorenzo Della Rovere, Claudio Santancini, Mirco Santi, Gianandrea Sasso, Simone Venturini, Ivan Nedoh, Karpo Godina, Marjan Rozman,
Jurij Meden and Matteo Lepore

BOOKS
Making Kodak Film: The Illustrated Story of State-of-the-Art Photographic Film Manufacturing
Patrick Loughney 

Multiversions
Mark-Paul Meyer 

Viagem ao cinema silencioso do Brasil
Carlos Roberto de Souza 

DVDs
Lost & Found: American Treasures from the New Zealand Film Archive
Michael Brooke 

You’re Human Like the Rest of Them – The Films of B.S. Johnson
David Curtis

Safety Last!
Michael Brooke 

The Passion of Joan of Arc
Anthony Nield 

FIAF Bookshop

 TOP OF THE PAGE

JOURNAL OF FILM PRESERVATION #88
April 2013

Editorial
Esteve Riambau

Open Forum
The Digital Future of Pre-Digital Film Collections
Paolo Cherchi Usai

Collection Building and Programming in the Future
Jon Wengström

The Restoration Threshold
David Walsh

Challenges for European Film Heritage from the Analogue and Digital Era
Mari Sol Pérez Guevara

The Media History Digital Library
David Pierce

History
First Tango in Paris: The Birth of FIAF, 1936-1938
Christophe Dupin

FIAF Oral History interview: Robert Rosen
Christian  Dimitriu

In Search of Post
Nikolai Izvolov & Sergei Kapterev
Realizing a Dream: Napoléon  vu par Abel Gance
Rob Byrne

Archives at work
Digital Acquisition at the BFI
Dylan Cave

Considering the Restoration of Early Films: The Case of the Pathé Negatives
Camille Blot-Wellens

“Toute la mémoire du monde” – a new •lm restoration festival in Paris
Martin  Koerber

Books
Alice Guy, Léon Gaumont et les débuts du film sonore
Michèle Lagny

Kinojudaica
Esteve Riambau

Colour Films in Britain: The Negotiation of Innovation 1900-55
Michael Brooke

Le Cinéma fantastique en France 1897-1982
Anthony Blampied

DVDs
Freddy Buache
Roland Cosandey

Études sur Paris
Michel Marie

Jacques-Bernard Brunius: Un cinéaste surréaliste
Michel Marie

Bolesław Matuszewski: An Unknown Pioneer of Cinema
Anthony Blampied

FIAF Bookshop

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JOURNAL OF FILM PRESERVATION #87
October 2012

Editorial
Catherine A. Surowiec

Open Forum
Le Voyage dans la Lune  (Lobster Films / Georges Méliès, 2011):
Ce que restaurer veut dire
Roland Cosandey & Jacques Malthête

Le Voyage dans la Lune : Une restauration exemplaire
Serge Bromberg

Polémique autour d’un Voyage
Béatrice de Pastre

FIAF School on Wheels, Kenya, May 2012
Thelma Ross

L’animation, cet objet bizarre. Compte rendu du symposium
«L’animation à travers le monde»
Marco de Blois

Silent Film Archaeology
Eileen Bowser

History
The Impact of the Desmet Collection. Pordenone and Beyond
Ivo Blom

Early Passive and Active Preservation at the Netherlands Filmmuseum, 1956-1984
Bregt Lameris

Brakhage and Frenhofer
Robert A. Haller

Realizing a Dream: Napoléon  vu par Abel Gance
Rob Byrne

Archives Films. Congo, Rwanda, Burundi (1912-1960)
Patricia van Schuylenbergh

Molly Dineen, British Documentarian
Donald McWilliams

Archives at work
Barcelona – Nueva sede de la Filmoteca de Catalunya
Esteve Riambau

Dublin – Irish Film & TV Research Online
Kevin Rockett

London – Restoring Hitchcock
Bryony Dixon & Kieron Webb 
(Article available as PDF )

México D.F. – The Importance of Co-operation between Archives in the Digital Age: The Centro de Capacitación Cinematográfica and Filmarchiv Austria
Beatríz Torres Insúa & Silvester Stöger

São Paulo – The Glauber Rocha Archive and the Cinemateca Brasileira
Gabriela Sousa de Queiroz

Books
The British Film Institute, the government and film culture, 1933-2000
Roger Smither

Emerald Illusions: The Irish in Early American Cinema
Kevin Rockett

Ida Lupino: Beyond the Camera
Anne Morra

Gonzalo Herralde. Cineasta cívic
Natacha Laurent

DVDs
Die freudlose Gasse
Éric Le Roy

On the Bowery: The Deluxe DVD Edition
Ed Carter

The O’Kalem Collection: 1910-1915
Kevin Rockett

FIAF Bookshop

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JOURNAL OF FILM PRESERVATION #86
April 2012

Editorial
Éric Le Roy

Open Forum
FILM
Tacita Dean

Persistence and Mimicry: The Digital Era and Film Collections
Alexander Horwath

Et si le cinéma perdait la mémoire...?
Robert Daudelin

Le Napoléon d’Abel Gance et la Cinémathèque française :
expertise d’une collection
Joël Daire

Article in French available HERE

Article in English available HERE

La Comète Napoléon
Georges Mourier

Article in French available HERE

Article in English available HERE

History
Life Begins at 40! Happy Birthday, P.I.P.
Rutger Penne & Anthony Blampied

Oral History interview: 
Karen Jones and the FIAF Documentation Commission
Eileen Bowser

Oral History interview:
Michael Moulds and the P.I.P.
Christian Dimitriu

P.I.P. Timeline
Rutger Penne & Anthony Blampied

Animation Dossier ( Curated by Éric Le Roy)
Le Cinéma d’animation canadien: un bref historique
Marco de Blois

Le Cinéma d’animation de propagande durant la Seconde Guerre mondiale: défier la carence documentaire et le politiquement correct
Sébastien Roffat

Arqueología del cine mexicano de dibujos animados:
Los éxitos de un fracaso
Juan Manuel Aurrecoechea Hernández

Starting Steps: Discovering the Halas & Batchelor Collection at the BFI National Archive
Jez Stewart

The Importance of Being Small: Jan Švankmajer and Austrian Film History
Thomas Ballhausen

Die Kunst des Einzelbilds: Animation in Österreich – 1832 bis heute
Clare Kitson

British Animation’s “City upon a Hill”
Michael Fukushima

Archives at Work
Amsterdam– The Resurrection of The Spanish Dancer
Elif Rongen-Kaynakçi & Rob Byrne

Bologna – The Vittorio Martinelli Archive at the Cineteca di Bologna
Luigi Virgolin

London – BFI Master Film Store: Conserving UK Film Heritage
Charles Fairall

Stockholm – “Sweden Talks” Take 2: Konstgjorda Svensson Completed
Mark Standley

Tokyo – 2011 FIAF Award to Japanese Actress Kyoko Kagawa
Hisashi Okajima

Books
Le Cinéma italien
Éric Le Roy

Les Images d’archives face à l’histoire
Michel Marie

DVDs
Araya, l’enfer du sel
Éric Le Roy

Lichtspiele und Soziale Frage / Screening the Poor 1888–1914
Laurent Mannoni

Revisiting a Legend;The Soviet Influence: From Turksib to Night Mail
Ian Christie

Treasures 5: The West, 1898-1938
Edward Buscombe

FIAF Bookshop

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JOURNAL OF FILM PRESERVATION #85
October 2011

Editorial
La FIAF (et le JFP) à la croisée des chemins
Christian Dimitriu

Open Forum
Repatriation: The Return of Indigenous Cultural Content
Seipati Bulane-Hopa

Statement and Report of the Summer School in Pretoria
2011 FIAF Summer School Participants

Historical Column / Chronique historique / Columna histórica
Henri Langlois: Expérimenter, conserver
Dominique Païni

La Cinémathèque suisse et son Centre de recherche et d’archivage de
Penthaz – 60 ans d’histoire et nouveau départ
Christian Dimitriu

The Saturn Film Production Company (1906-1910):
From Austrian Film History to European Cultural Heritage
Thomas Ballhausen

News from the Affiliates / Nouvelles des affiliés / Noticias de los afiliados
Amsterdam: EYE’s Desmet Collection Inscribed on UNESCO’s Memory of
the World Register
Sandra Den Hamer

Gemona / Rochester: The Davide Turconi Collection of Nitrate Film
Frames (1897-1944)
Paolo Cherchi Usai, Joshua Yumibe

Stockholm: Sweden Talks: Early Swedish Sound Film Restorations
Mark Standley

México DF: The Centro de Capacitación Cinematográfica (CCC)
Lisa Johnson Mújica, Beatríz Torres Insúa, Caroline Figueroa Fuente

Wien: From a Wooden Box to Digital Film Restoration
Fumiko Tsuneishi

London: Saving The Cinema Museum
Deirdre O’Neill

Melbourne: Australian Centre for the Moving Image (ACMI)
Nick Richardson

In Memoriam
Sam Kula (1933-2010)
Robert Daudelin

Thomaz Farkas (1924-2011)
José Guilherme Pereira Leite

DVDs
À propos d’Alice: Neco z Alenky (Alice) de Jan Švankmajer
Marco de Blois

More Hal Roach Gravy
Antti Alanen

Revoir Pierre Étaix
Éric Le Roy

Roald Amundsen-Lincoln Ellsworths Flyveekspedisjon 1925
Éric Le Roy

FIAF Bookshop / Librairie FIAF / Librería FIAF

Publications received at the FIAF Secretariat

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JOURNAL OF FILM PRESERVATION #84
April 2011

Editorial
A Changing Landscape
Michael Loebenstein

Open Forum
The Lindgren Manifesto: The Film Curator of the Future
Paolo Cherchi Usai

Le Fespaco: fonds documentaires fragiles
Colin Dupré

Festivals européens: « Les 5 Grands »
Christian Dimitriu

Historical Column
María Candelaria
Francisco Gaytán Fernández

Il Cinema Ritrovato / Le Giornate del Cinema Muto 2010
Antti Alanen

Do you have any 16mm nitrate films in your collections?
The Case of Ferrania materials in the San Paolo Film Collection at the Museo Nazionale del Cinema in Turin
Sabrina Negri, Luca Giuliani

Seeber’s Snippet Collection
Helmut Herbst

F.W. Murnau’s Roman Holidays: Restoring the Marizza Fragment
Irela Núñez

Nouvelles des archives / News from the Affiliates
La Cinémathèque de Grenoble. Bientôt 50 ans au service de la sauvegarde et de la diffusion du patrimoine cinématographique
Guillaume Poulet

Classic Film Material Restoration Curriculum at FAMU, Prague
Blažena Urgošíková

In Memoriam
Anton Giménez (1940-2010)
Antoni Kirchner

Peter Morris (1937-2011)
Robert Daudelin

Publications
Découvrir les films de Jean Rouch
Robert Daudelin

DVDs
Shadows of Progress: Documentary Film in Post-War Britain 1951-1977
Donald McWilliams

Of Ice and Men. Recent DVDs from Norway
Clyde Jeavons

Svatý Václav (Saint Wenceslas)
Éric Le Roy

Segundo de Chomón / livre et DVD
Éric Le Roy

FIAF Bookshop / Librairie FIAF / Librería FIAF

Publications Received at the Secretariat

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JOURNAL OF FILM PRESERVATION #83
November 2010

Message to the Keepers of the Film Heritage
Liv Ullmann

Historical Column
Les Collections de films et d’appareils cinématographiques de
Cinévolution à Mons, Belgique
Jean-Pierre Verscheure

Lucky Breaks and a Virtual Reconstruction: Bringing Bergenstoget
Plyndret Inatt Back to Life on the Screen
Nils Klevjer Aas

Memoria e historia del cine en América Latina
Paulo Antonio Paranaguá

“The Points”
Teresa Barreto Borges

Images du cinéma muet italien – La collection de photographies et documents publicitaires du Musée national du cinéma de Turin
Roberta Basano, Nicoletta Pacini

News from the Affiliates and Commissions
The Revision of the FIAF Cataloguing Rules for Film Archives
Nancy Goldman, Maria Assunta Pimpinelli, Thelma Ross

Preservation Best Practice
FIAF Technical Commission

Charter of Film Restoration
Vittorio Boarini, Vladimir Opela

Legal Deposit, Copyright, and Cultural Patrimony in Italy
Luca Giuliani, Rita Borioni, Alessandra Untolini Bocci

Recordando / Remembering
Mis recuerdos de Héctor 
María Eulalia Douglas “Mayuya”

Héctor García Mesa (1931-1990)
María Eulalia Douglas, Alicia García

Mayuya – Memoria de la Cinemateca de Cuba
Christian Dimitriu

A Memory of Jerzy Toeplitz
Ray Edmondson

In Memoriam
Plamen Maslarov (1950-2010)
Genoveva Dimitrova

Publications
La Retirada en images mouvantes
Éric Le Roy

Réinventer le film noir: Le cinéma des frères Coen et de Quentin Tarantino
Michel Cadé

DVDs
Gaumont: Le cinéma premier 1897-1913. Volume 1
Donald McWilliams

Un chien andalou
Robert Daudelin

La Bataille du rail
Eric Le Roy

Irish Destiny
Eric Le Roy

FIAF Bookshop / Librairie FIAF / Librería FIAF

Publications Received at the Secretariat 

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JOURNAL OF FILM PRESERVATION #82
April 2010

Editorial
Les archivistes s’archivent!
Robert Daudelin

Open Forum
Strengthening Archive Identity in an Age of Transition
The Second Century Forum at the 66th FIAF Congress in Oslo 2010
Jon Wengström

Film Heritage as Cultural Patrimony
Luca Giuliani

The Way Ahead
David Francis

Les archives de la FIAF– À la recherche du chaînon manquant
Christian Dimitriu

Au bout de 50 ans tout devient intéressant...
Une prospection dans les archives de la FIAF
Sever J. Voicu

Specialized Collections / Collections spécialisées / Colecciones especiales
Glimpses of a Lost World: The Glass Plate Collection of the Swedish Film Institute
Jon Wengström

Présence et pérennité de l’animation à la Cinémathèque québécoise
Marco de Blois

La collection des plaques de lanterne magique de la Cinémathèque française
Laurent Mannoni

The American Avant-Garde Film Collection at the Pacific Film Archive
Renato Collu

The Collection of Slapstick Comedies of the Národní Filmový Archiv
Karel Čáslavský

L’INSEP : Le Cinéma au service du sport
Julien Faraut

Capturing the Nation: Irish Home Movies, 1930-1970
Ciara Chambers

Historical Column / Chronique historique / Columna histórica
Two Academic Theses on the History of the Cinemateca Brasileira
José Manuel Costa

Music of Attraction. The Neo-Baroque and film music: George Antheil’s score for Le Ballet Mécanique
Marco Bellano

Il Cinema Ritrovato / Le Giornate del Cinema Muto 2009
Antti Alanen

In Memoriam
João Bénard da Costa
Vittorio Boarini

News from the Affiliates / Nouvelles des affiliés / Noticias de los afiliados
The Haghefilm Foundation, Amsterdam: A Learning Laboratory
Paolo Cherchi Usai, Daniela Currò, Ulrich Ruedel

The State Film Foundation of Azerbaijan
Jamil Guliyev

Publications / Publicaciones
Film Curatorship: Archives, Museums, and the Digital Marketplace
Kimberly Tarr

1969-2009. Les Archives françaises du film
Robert Daudelin

L’Antiquité au cinéma. Vérités, légendes et manipulations
Éric Le Roy

DVDs
La Coquille et le Clergyman
Éric Le Roy

L’avant-garde au pays des Belges
Claude Bertemes

Coffret L’Herbier
Michel Marie

Coffret Max Ophuls
Éric Le Roy

Publications Received at the Secretariat / Publications reçues au Secrétariat / Publicaciones recibidas en el Secretariado

FIAF Bookshop / Librairie FIAF / Librería FIAF

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JOURNAL OF FILM PRESERVATION #81
November 2009

Editorial
Lest we forget…
Wolfgang Klaue

Open Forum
Showing a Film Is not Enough – On Cinematheques in Western Europe and North America
Jesper Andersen

Historical Column / Chronique historique / Columna histórica
Eileen Bowser – A Life Between Film History, MoMA and FIAF
Christian Dimitriu

Le Catalogue Albatros à la Cinémathèque française
Camille Blot-Wellens, Catherine Hulin

Four City Films - Donald McWilliams

News from the Archives / Nouvelles des archives / Noticias de los archivos
Tbilisi: The Georgian Film Heritage Protection and Archive Department
Nino Dzandzava

In Memoriam
Anita Falk (1958-2009)
Jon Wengström

Francis Lacassin (1931-2008)
Éric Le Roy

Publications / Publications / Publicaciones
Stagestruck Filmmaker: D.W. Griffith and the American Theatre
Eileen Bowser

What Is Cinema? A new translation for André Bazin’s Qu’est-ce que le cinéma?
Paolo Cherchi Usai

La Corse, les Corses et le Cinéma. 50 ans de cinéma parlant. 1929-1980
Michelle Aubert

DVDs
Treasures IV – American Avant-Garde Film, 1947-1986
Paolo Cherchi Usai

Svenska Stumfilmsklassiker (Swedish Silent Film Classics)
Clyde Jeavons

Tout Ruttmann
Robert Daudelin

La Guerra filmada
Michel Cadé

Markens Grøde
Éric Le Roy

Publications Received at the Secretariat / Publications reçues au Secrétariat / Publicaciones recibidas en el Secretariado

FIAF Bookshop / Librairie FIAF / Librería FIAF

TOP OF THE PAGE

JOURNAL OF FILM PRESERVATION #79-80
May 2009

Editorial  
Cinémathèques cherchent public
Robert Daudelin  

Open Forum  
L’édition DVD dans les archives du film
Éric Le Roy  

Cinématographe Reloaded / Notes on the Fairground Cinema Project Crazy Cinématographe
Claude Bertemes  

Musée du cinéma / Cinematek
Gabrielle Claes  

Reinventing Ourselves In Programming. A Finnish Perspective
Antti Alanen  

Historical Column / Chronique historique / Columna histórica  
Cinemateca Uruguaya - Entrevista con Manuel Martínez Carril
Christian Dimitriu  

Ghetto Theresienstadt 1942: The Message of the Film Fragments
Eva Strusková  

Le fonds John E. Allen – Triangle à la Cinémathèque française : une histoire complexe, riche et encore à écrire
Marc Vernet  

Fritz Lang’s Die Nibelungen / A Restoration and Preservation Project by Friedrich-Wilhelm- Murnau-Stiftung, Wiesbaden
Anke Wilkening  

Le Giornate del Cinema Muto
Pierre Véronneau  

News From the Archives / Nouvelles des archives / Noticias de los archivos  
La Cinémathèque numérise
Gabrielle Claes, Erik Martens  

La Fondation Jérôme Seydoux – Pathé
Stéphanie Salmon  

In Memoriam  
Harold Brown (1919-2008)
Clyde Jeavons  

Publications / Publications / Publicaciones  
Le Livre de mes rêves
Jean Gili  

Cinema All the Time: An Anthology of Czech Film Theory and Criticism, 1908-1939
Jan-Christopher Horak  

Caméras en lutte en Mai 68 / « Par ailleurs le cinéma est une arme…»
Michelle Aubert  

Clearance & Copyright: Everything You Need to Know for Film and Television
Patrick Loughney  

As Cidades e os filmes. Uma biografia de Rino Lupo
Malte Hagener  

DVDs  
Addressing the Nation and We Live in Two Worlds (The GPO Film
Unit Collection)
Geoff Brown  

Lotte Reiniger: The Fairy Tale Films
Marco de Blois  

The Battle of the Somme
Donald McWilliams  

Publications Received at the Secretariat / Publications reçues au Secrétariat / Publicaciones recibidas en el Secretariado  

FIAF Bookshop / Librairie FIAF / Librería FIAF 

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JOURNAL OF FILM PRESERVATION #77/78
October 2008

Editorial  
Ne jetez pas le cinéma… avec l’eau du numérique!
Robert Daudelin  

Open Forum  
The FIAF 70th Anniversary Manifesto
Hisashi Okajima and the FIAF Manifesto Working Group  

Maghreb and Middle East / Maghreb et Moyen-Orient / Maghreb y Oriente Medio  
Egypt
Magdi Abdel Rahman  

Israël
Uri Amitaï  

Jordan
Mamoun Th. Talhouni  

Liban
Hares Bassil  

Maroc
Mohamed Sabiri  

Palestine
Itidal Ismail  

Tunisie
Béchir Ben Trad  

Africa II / Afrique II / África II  
La Cinémathèque africaine de Ouagadougou-Burkina Faso
Ardiouma Soma  

Situation du patrimoine cinématographique en Guinée-Bissau
Carlos Vaz  

Film Can Be Like Diamonds: For Ever!
Henning Mankell  

Rapport de la réunion du groupe Afrique
Ardiouma Soma  

Le Cinéma africain en DVD
Robert Daudelin

El depósito legal de obras cinematográficas en España
María García Barquero  

Historical Column / Chronique historique / Columna histórica  
Gösta Werner is 100 Years Old
Jon Wengström  

Cinémathèque Suisse: Interview avec Freddy Buache
Robert Daudelin  

Méliès à l’aube du domaine public
Éric Le Roy  

Föreningen Film och Fonogram / The Forgotten Archive
Jon Wengström  

News From the Archives / Nouvelles des archives / Noticias de los archivos  
Copenhagen: New Nitrate Archive
Dan Nissen  

Gemona: The Design for the New Cineteca del Friuli Film Vaults
Luca Giuliani  

Yerevan: Interview With Garegin Zakoyan
Éric Le Roy  

Rio de Janeiro: Brief Description of the National Archive of Brazil
and its Filmographic Collection
Inez Stampa, Carlos Linhares, Vicente Camara  

L’Institut Jean Vigo: Une cinémathèque originale
José Baldizzone, Kees Bakker  

Phnom Penh : Le Centre de ressources audiovisuelles Bophana
Thanaren Than  

Katowice: The Silesian Film Archive
Anna Michnowska  

The Swedish Film Institute Archive Celebrates its 75th Anniversary
Jon Wengström

In Memoriam  
Vittorio Martinelli (1926-2008)
Gian Luca Farinelli  

José Baldizzone (1933-2008) : un bâtisseur discret
Michel Cadé  

Publications / Publications / Publicaciones  
Dictionnaire général du cinéma, du Cinématographe à Internet
Natacha Laurent  

Metapartiture: Making Music for Silent Films
Paolo Cherchi Usai  

Marcel L’Herbier. L’art du cinéma
Pierre Véronneau  

DVDs
Jørgen Leth
Éric Le Roy  

The River
Steven Higgins  

Kafka on Film: Huillet and Straub’s Class Relations (1984)
Jan-Christopher Horak  

Land of Promise: The British Documentary Movement 1930-1950
Geoff Brown  

Publications Received at the Secretariat / Publications reçues au Secrétariat / Publicaciones recibidas en el Secretariado

FIAF Bookshop / Librairie FIAF / Librería FIAF

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JOURNAL OF FILM PRESERVATION #76
April 2008

Editorial
Mais où est donc la version wolof ?
Robert Daudelin  

Legal Deposit / Dépôt légal / Depósito legal  
A Brief History of U.S. Copyright Registration and Deposit Procedures Relating to Motion Pictures
Patrick Loughney  

Legal Deposit Issues in the Czech Republic
Vladimir Opela  

Africa / Afrique / África  
Preserving the Harvest of Our Creative Spirit: The Nigerian Experience
Nwanneka Okonkwo  

Où sont les films guinéens ?
Robert Daudelin  

Africamania : 50 ans de cinéma africain à la Cinémathèque française
Serge Toubiana  

Mission in Maputo: Saving the Film Collection at INAC
José Manuel Costa  

Les Congolais face au cinéma et à l’audiovisuel
Robert Daudelin  

Pour mieux connaître le cinéma africain - Bibliographie
René Beauclair  

La Cinémathèque Afrique
Jeanick Le Naour  

Historical Column / Chronique historique / Columna histórica  
The Dubrovnik Congress (1956)
Paulo Emilio Salles Gomes  

Technical Column / Chronique technique / Columna técnica  
Saving Films in the Backstreets: The Film Preservation Society (FPS), Tokyo
Kae Ishihara

In Memoriam  
Renée Lichtig (1921-2007)
Éric Le Roy  

Publications / Publications / Publicaciones  
J osef von Sternberg. The Case of Lena Smith
Eileen Bowser  

Jean Benoît-Lévy ou le corps comme utopie
Catherine Goupil  

Du praxinoscope au cellulo – un demi-siècle de cinéma d’animation
Marco de Blois  

Un siècle de cinéma suisse documenté
Christian Dimitriu  

DVDs  
Treasures III: Social Issues in American Film 1900–1934
Antti Alanen  

Norwegian classic on DVD: Bridal Party in Hardanger
Paolo Cherchi Usai  

Pasolini, Ray
Robert Daudelin  

Science Is Fiction: Las películas de Jean Painlevé
Iván Trujillo Bolio  

The Story of the Kelly Gang
Roger Smither  

Sacha Guitry, une vie d’artiste
Éric Le Roy  

Publications Received at the Secretariat / Publications reçues au Secrétariat / Publicaciones recibidas en el Secretariado

FIAF Bookshop / Librairie FIAF / Librería FIAF

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JOURNAL OF FILM PRESERVATION #74/75
November 2007

Editorial  
The Importance of Fair Use
Eva Orbanz

Open Forum  
The FIAF Declaration on Fair Use and Access
Commission of Programming and Access to Collections

Zoom arrière: Une tentative pour incarner une idée de cinémathèque
Natacha Laurent, Christophe Gauthier

Historical Column  
La Cinemateca argentina - Entrevista con Guillermo Fernández Jurado
Christian Dimitriu

Synthèse analytique du symposium Searching the traces: Archival study of short-lived film formats (Tokyo, avril 2007)
Jean-Pierre Verscheure

Technical Column  
Audio Visual Heritage and the Digital Universe 
Joint Technical Symposium, Toronto, 28-30 June 2007
David Walsh

Hollywood’s Proposals for Digital Cinema 
Digital Projection of Heritage Film Content at Original Frame Rates
Paul Read

Restoration  
Restaurer les écrans d’épingles Alexeïeff-Parker
Jacques Drouin

La Fondation Thomson pour le Patrimoine du Cinéma et de la Télévision
Loubna Régragui

Dépôt légal  
To Have…. And Have Not! Legal Deposit in Germany Today
Eva Orbanz

Legal Deposit in Denmark
Dan Nissen

In Memoriam  
Marion Michelle, photographer (1913-2007),
André Stufkens

News From the Archives  
Les archives audiovisuelles 
Journées d’Études ADEDA78, 15 mars 2007
Michelle Aubert

The Finnish Film Archive’s 50th Anniversary
Outi Heiskanen

Publications  
Histoire de la Cinémathèque française, par Laurent Mannoni
Michelle Aubert

100 Years of Nordisk Film
Jon Wengström

The Field Guide to Sponsored Films, by Rick Prelinger
Graham Shirley  

Matsunosuke Onoe the first and the Greatest Movie Star of Japan 
Claude R. Blouin

Red Velvet Seat
Lucy Laird  

Shoah et films
Eric Le Roy

DVDs  
Kampf um Norwegen – Feldzug 1940
Antti Alanen

Cinéma mexicain en DVD
Robert Daudelin 

David Perlov, Diary
Eric Le Roy

Jan Švankmajer : The complete short films
Marco de Blois  

Bellon, Kaplan, Varda 
Eric Le Roy  

Battleship Potemkin
Steven Higgins

Publications received at the FIAF Secretariat

FIAF Bookshop

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JOURNAL OF FILM PRESERVATION #73
April 2007

Editorial  
Le charme discret des statistiques
Robert Daudelin  

FIAF Award  
Filmmaking and Film Preservation
Hou Hsiao-Hsien  

Open Forum  
The Leviathan and the Identikits
Global Figures for Everyday Use
Christian Dimitriu  

Historical Column  
The Moving Image: Subject or Object?
Clyde Jeavons  

Education  
Film Restoration Summer School / FIAF Summer School 2007
Gian Luca Farinelli, Davide Pozzi  

Experimental Cinema (2)  
The Fragile Emulsion
Jon Gartenberg  

Legal Deposit  
Mandatory Film Deposit in Canada
Richard Lochead  

Legal Film Deposit in Mexico
Magdalena Acosta  

Le dépôt légal au Québec
Yolande Racine  

The French Legal Deposit System for Film
Michelle Aubert, Eric Le Roy  

In Memoriam  
Farrokh Gaffary (1922-2006)
Fereidoun Mahboubi

News from the Archive  
The Most Important Move: The First Step
Thorarinn Gudnason

Publications  
Écrits cinématographiques de Boleslaw Matuszewski
Éric Le Roy  

Cinémathèques à l’italienne
Pierre Véronneau  

DVDs  
Free Cinema
Robert Daudelin  

R.W. Paul: The Collected Films
Antti Alanen  

The Brothers Quay: The Short Films 1979-2003
Marco de Blois  

Classiques coréens
Éric Le Roy  

Publications Received at the Secretariat

FIAF Bookshop

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JOURNAL OF FILM PRESERVATION #72
November 2006

Editorial
L’État des choses
Robert Daudelin

Open Forum  
Do We Need Film?
David Walsh

Preserving One’s Own History
Michael Loebenstein

Avant-garde  
Archiving Brakhage
Mark Toscano

Du Super 8 au 35mm - La restauration de Selva et
Chutes. Desert. Syn
Maria Klonaris, Katerina Thomadaki

A propos de la restauration des films Selva de Maria Klonaris
et Chutes. Desert. Syn. de Katerina Thomadaki par les Archives
françaises du film - CNC 
Eric Le Roy

Richter, Ernst, Léger, Ray, Duchamp, Calder & Co.
Christian Dimitriu

Avant-Garde: Experimental Cinema of the 1920s and 1930s
Steven Higgins

Historical Column  
Every Film an Adventure
Wolfgang Klaue

The First Movie Star in Japanese Film History
Yoshiro Irie

Technical Column  
Technical Symposium - FIAF Congress 2006 São Paulo 
Film Archives in Transition
David Walsh

In Memoriam  
Remembering Jana Vosikovská
Blažena Urgošíková

Jana Vosikovská (1935-2006)
Sam Kula

News from the Archives  
Report from the Nordic Archive Meeting in Tromsø,
7-9 September 2006
Jon Wengström

Contribution du CNC à la création du Centre de ressources
audiovisuelles au Cambodge
Eric Le Roy

Publications  
The Advanced Projection Manual by Torkell Saetervadet
David Walsh

DVDs  
McLaren, Alexeïeff
Éric Le Roy

An Innovative Portrait of a Pioneer Revisited
Antti Alanen

La Belle et la Bête
Éric Le Roy

Publications Received at the Secretariat

FIAF Bookshop

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 J OURNAL OF FILM PRESERVATION #71  
July 2006

Editorial  
Spirit of the Times
Robert Daudelin

Open Forum  
De l’avenir des cinémathèques
José Manuel Costa et Robert Daudelin

Archivos en tiempos de cambio
62º Congreso de la FIAF, São Paulo, 24 y 25 de abril de 2006
Alfonso del Amo García

Historical Column  
From Parchment to Pictures to Pixels
Balancing the Accounts: Ernest Lindgren and the National Film
Archive, 70 Years On
David Francis

Survey  
La situación del patrimonio fílmico en Iberoamérica
Maria Rita Galvão

News from the Archives  
New Affiliates :
Berne: “Lichtspiel” - sauver des trésors et remettre les films à
l’écran
David Landolf

Jos: Nigeria’s National Film, Video, and Sound Archive (NFVSA):
Ideas and Expectations
Nwanneka Okonkwo

Affiliates:
Berlin: Moving Spaces. Production Design Film
Kristina Jaspers, Peter Mänz, Nils Warnecke

Buenos Aires: The Stoessel Expedition
Marcela Cassinelli

Stockholm: Open Access to a World of Film: The New Library of the
Swedish Film Institute
Mats Skärstrand

Publications 
Andy Warhol Screen Tests:
The Films of Andy Warhol Catalogue Raisonné by Callie Angell
Christian Dimitriu

André Deed - Boireau, Cretinetti, Gribouille, Toribio,
Foolshead, Lehman…
Éric Le Roy

DVDs  
Edison: The Invention of the Movies
Antti Alanen

Coffrets Pialat
Éric Le Roy

Une partie de campagne
Robert Daudelin

Petr Skala: A Hidden Experimenter
Paolo Cherchi Usai

Publications Received at the Secretariat

FIAF Bookshop

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JOURNAL OF FILM PRESERVATION #70  
November 2005

Editorial  
Report of the President on behalf of the Executive Committee –
61st FIAF Congress in Ljubljana, June 2005
Eva Orbanz

Open Forum  
The Market vs. The Museum
Alexander Horwath

Response to Alexander Horwath
Nicola Mazzanti

Traditional Film Projection in a Digital Age
Mark-Paul Meyer

The Oral History Project
Elaine Burrows

The “October Recommendation”
Marking 25 Years of a Revolutionary Doctrine
Ray Edmondson

Historical Column  
The Central African Film Unit as a Vehicle for African Development
in Zimbabwe, 1948-64
M.C. Mukotekwa

The Odyssey of the Battleship
On the Reconstruction of Potemkin at the Filmmuseum Berlin
Enno Patalas

“Il faut voir le maître”
A Recent Restoration of Surgical Films by E.-L. Doyen, 1859-1916
Tiago Baptista

La Passion du cinéma et les rencontres d’une vie
Gianni Comencini

Technical Column 
“What is Film?” FIAF Technical Commission Workshop -
61st FIAF Congress, Ljubljana, 8 June 2005 
Paul Read, collective paper

Einar Lauritzen (1912-2005)
Archivist, Historian, Film Lover
Paul Spehr

Einar Lauritzen - Dandy discret et mécène éclairé
Christian Dimitriu

Publications 
Le Fantôme d’Henri Langlois
Éric Le Roy

Cesk´y Hran´y Film IV – 1961-1970 (Czech Feature Film)
Hervé Dumont

Confessions of the Film Rebel
Robert Daudelin

De Pathé Frères à Pathé Cinéma. Catalogue 1923-1927
Paolo Cherchi Usai

Museum Movies: The Museum of Modern Art and the Birth of Art
Cinema
Pierre Véronneau

Images de cinéma
Robert Daudelin

DVDs  
Bresson en DVD 
Éric Le Roy

À la Découverte de Raoul Barré
Paolo Cherchi Usai

Karadjordje
Roger Smither

FIAF Bookshop

Publications Received at the Secretariat 

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JOURNAL OF FILM PRESERVATION #69  
May 2005

Open Forum  
Brief History of the Indonesian Film
H. Misbach Yusa Biran

Indonesian Cinema as Seen by…
Christine Hakim

Historical Column  
Maverick Filmmaker Jean Painlevé
Brigitte Berg

A God in Volda
Donald McWilliams

Education  
Escuela sobre ruedas 2004-2005
Iván Trujillo, Alfonso del Amo

Technical Column  
Some Pioneering Cases of Digital Restoration in Japan 
Fumiko Tsuneishi

The FIAF Electronic Subtitling Network
Antti Alanen

News from the Archives  
Copenhagen: Asta Nielsen – Lost and Found
Thomas C. Christensen

México: El Reportero T.D. Collection
Magdalena Acosta, Catherine Bloch

In Memoriam  
Guido Cincotti (1928 - 2005)
Vittorio Martinelli

Remembering Guido Cincotti
Mario Musumeci

Gianni Comencini (1921-2005)
Robert Daudelin

Silvan Furlan (1953-2005)
Vlado Skafar

Congresses  
27e conférence annuelle de la FIAT
Dominique Dugas

Publications  
Encyclopédie du court-métrage français
Eric Le Roy

Dictionnaire du cinéma populaire français, des origines à nos jours
Natacha Laurent

DVDs  
Winsor McCay: The Master Edition
Marco de Blois

Un roi sans divertissement
Robert Daudelin

Les Otages
Eric Le Roy

Coffret Louise Brooks
Eric Le Roy

Publications Received at the Secretariat

FIAF Bookshop

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 JO URNAL OF FILM PRESERVATION #68  
December 2004

FIAF Award  
2004 FIAF Award to Geraldine Chaplin
Eva Orbanz

Open Forum  
Film Archives in Motion
José Manuel Costa

Building an Intellectual Climate
Nick Deocampo

Technical Column  
SACHA : un scanner spécifique pour les films anciens aux Archives
françaises du film
Christian Comte, Nicolas Ricordel

Notes on the 2004 Joint Technical Symposium
Preserving the AudioVisual Heritage – Transition and Access
Giovanna Fossati

Film Archives on the Threshold of a Digital Era
Technical Issues from the EU FIRST Project.
Paul Read

Historical Column  
Le Rapatriement des films spoliés par les nazis
Eric Le Roy

Parcours de vie: Paulo Emílio Salles Gomes
Maria Rita Galvão

Festival  
The 23rd year of the Giornate del Cinema Muto
Eileen Bowser

News from the Archives  
Introducing the Fukuoka City Public Library Film Archive
Yoshiyuki Yahiro

Toulouse: un centre de conservation et de recherche
Robert Daudelin

In Memoriam  
Raymond Borde (1920-2004)
Robert Daudelin, Eileen Bowser

Paulina Fernandez Jurado (1926-2004)
Christian Dimitriu

Publications 
The Film Preservation Guide: the Basics for Archives,
Libraries, and Museums
Eileen Bowser

L’ Association francaise de recherche sur l’histoire du cinema
Eric Le Roy

Glossary of Filmographic Terms
Zoran Sinobad

DVDs
Métropolis
Eric Le Roy

L’Atlantide
Eric Le Roy

Santa
Robert Daudelin

More Treasures from American Film Archives, 1894-1931
Dan Streible

Publications Received at the Secretariat

FIAF Bookshop

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JOURNAL OF FILM PRESERVATION #67  
June 2004

Open Forum  
Second Century Forum - Stockholm June 2003
David Francis

Projectionniste dans une cinémathèque : le cas de la
Cinémathèque québécoise
François Auger

Historical Column 
Contribution à une histoire de la Cinémathèque française
Pierre Barbin

Restorations  
The Restoration of Dreyer’s Der var engang
Casper Tybjerg, Thomas C. Christensen

Technical Column  
Biodegradation of Motion Picture Film Stocks
Concepción Abrusci, Norman S. Allen, Alfonso del Amo,
Michelle Edge, Ana Martín-González

Film Festivals  
From Bologna to Sacile
Antti Alanen

L’Esprit de la ruche : 30 ans déjà
Robert Daudelin

News from the Archives
Montreal: La Beauté du geste
Eric LeRoy

Rimini: La Fondazione Federico Fellini
Vittorio Boarini

Stockholm: New Facilities at the SFI 
Jan-Erik Billinger, Bo Wedelfors

Publications  
Jean Desmet and the Early Dutch Film Trade
Ivo Blom
Eileen Bowser

Opérascope
Real La Rochelle
Robert Daudelin

The Unknown Orson Welles
Sous la direction de Stefan Drossler
Robert Daudelin

L’Homme au cigare
Long metrage documentaire d’Andy Bausch
Robert Daudelin

Shennü: Converting a Silent Chinese Classic to DVD 
Richard J. Meyer

Publications Received at the Secretariat

FIAF Bookshop  

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JOURNAL OF FILM PRESERVATION #66  
October 2003

FIAF Award
2003 FIAF Award to Ingmar Bergman
Iván Trujillo

The Ingmar Bergman Collection of the Swedish Film Institute
Jan Göransson

Historical Column  
(Re)Telling War. Austrian News Reels of the FirstWorld-War
Between Presentation and Representation.
Thomas Ballhausen, Günter Krenn

El Puño de Hierro, a Mexican Silent Film Classic
William M. Drew, Esperanza Vázquez Bernal

The Historical Film as a Title or as a Collection of Physical
Elements
Thomas C. Christensen

Technical Column  
Colour Separations for Film Restoration and Preservation -
Today, and in a Digital World.
Noël Desmet, Paul Read

Color Film Restoration in Japan: Some Examples
Hisashi Okajima

Investigation Into the Mechanism of Maintaining a Lower Free
Acid Level Inside CTA Motion Picture Films During Long Term
Storage Using a Low Tension “Preservation”Wind
Mick Newnham, Carey Garvie

Diseño de archivos. El nuevo Centro de archivos de la Filmoteca
Española
Alfonso del Amo

Film Festivals 
Midnight Sun Film Festival
Robert Daudelin

FIAF and Affiliates  
Canberra - A Long Day’s Journey into - Light? Australia’s National
Film and Sound Archive in Transition
Ray Edmondson

Kaboul - Mission de soutien du CNC et de l’INA à Afghan Film
Christian Comte

Madrid - Filmoteca Española - 50° aniversario
Alfonso del Amo

Nijmegen - The European Foundation Joris Ivens
André Stufkens

Paris - Le Centre de documentation sur le cinéma chinois de Paris
(CDCC)
Eric Le Roy

San Sebastián - La Filmoteca Vasca/Euskadiko Filmategia en su 25º
aniversario
Sr. D. Martín Ibarbia

Book Review  
This Film is Dangerous – A Celebration of Nitrate Film
Stephen Bury

Publications Received at the Secretariat

FIAF Bookshop 

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JOURNAL OF FILM PRESERVATION #65  
December 2002

FIAF Award 
The 2002 FIAF Award for Manoel de Oliveira
Iván Trujillo

Reconstructing the German Version of Lola Montes
Stefan Droessler

Second Century Forum  
Challenges of Film Archiving in the 21st Century
David Francis

Historical Column  
La venganza de Pancho Villa. (The Vengeance of Pancho Villa)
A lost and found border film.
Gregorio C. Rocha

Quelques repères sur la Communauté asiatique dans le cinéma
français
Eric Leroy

Silent Japanese Films:WhatWas the Right Speed?
Yoshiro Irie

Estudio e identificación de películas de los primeros años del
cinematógrafo. La collección Sagarmínaga
Encarni Rus, Camille Blot

Recuperación y restauración de nuestra Alma provinciana
Rito Alberto Torres, Jorge Mario Durán

In Memoriam  
Maryann Gomes
Janet McBain, Roger Smither

Bologna & Sacile  
Notes from Il Cinema Ritrovato 2002. Bologna, 29 June – 6 July
Antti Alanen

Le Giornate del Cinema Muto, 2002
Hillel Tryster     

Training / Formation / Formación  
Rochester Reflections – The 10th FIAF Summer School, and Beyond
Ray Edmondson

FIAF and Affiliates 
P.I.P. turns 30! - Periodicals Indexing Project (1972-2002)
Rutger Penne, Gail Rubenstein

Canberra: Big Screen: Touring Films to Regional Australia 
Kate McLoughlin

Dublin: The Irish Film Archive
Kasandra O’Connell

Düsseldorf: The Film Museum 
Sabine Lenk

Hong-Kong:Waves of Generosity
Mable Ho

Monterrey: La Cineteca de Nuevo León
Roberto Escamilla

Regional Groupings  
SEAPAVAA Steps Out
Ray Edmondson

Publications Received at the Secretariat 

FIAF Bookshop

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JOURNAL OF FILM PRESERVATION #64  
April 2002

FIAF Film Preservation Award
First FIAF Film Preservation Award to Martin Scorsese
Iván Trujillo

The Night of 'The Night of the Hunter'
Jeffrey Couchman

Open Forum  
Preserving Film Outside the Vaults: A Report on Projection, Shipping and Temporary Storage Facilities
Paolo Cherchi Usai

Historical Column  
Cinéaste, Collector, Nacional Socialist: Frank Hensel and the Reichsfilmarchiv
Rolf Aurich

La collection coloniale de la Cinemateca Portuguesa - Museu do Cinema
Joanna Pimentel

Documentation & Cataloging  
CINÉ-TV : Un logiciel pour gérer les collections des cinémathèques Pierre Véronneau

'Treasures from the Film Archives' and International Film Cataloging Data Exchange
Sarah Ziebell Mann

Technical Column  
Preserving Digital Film
Thomas C. Christensen

Vinegar Affected Films of the VFA in 2000
Ngo hieu Chi

Pilot Experiments With L-Ascorbic Acid Developer
Johan Prijs

Technical Books Review  
One Long Image. The Wittmann Process
André Amsler

In Memoriam  
Jonathan Dennis
Diane Pivac, Bronwyn Taylor

Le Giornate del Cinema Muto  
Twenty and Still Going Strong
Hillel Tryster

A Voyage Through the Impossible
Antti Alanen

Communication  
New FIAF Website
Christian Dimitriu

Education  
10th FIAF Summer School
Christian Dimitriu

News from Affiliates  
Aberystwyth: The National Screen and Sound Archive of Wales
Iola Baines

Rabat : La Cinémathèque Marocaine : Mission et prespectives
Ahmed Fertat

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JOURNAL OF FILM PRESERVATION #63  
October 2001

Colonial Cinema: A Borrowed Heritage
Le Cinéma Colonial: Patrimoine emprunté
Abdelkader Benali

L'exotisme et le cinéma ethnographique: la rupture de la Croisière noire
Marc-Henri Piault

Hygienic Reform in the French Colonial Film Archive
Peter Bloom

L'Autre dans son propre territoire: le cinéma australien et les cultures aborigènes
John Emerson

Spanish Colonial Cinema: Contours and Singularities
Alberto Elena

Francisco Villa: The Use and Abuse of Colonialist Cinema
Aurelio de los Reyes

Léon Poirier's L'Appel du silence and the Cult of Imperial France
Steve Ungar

Les images de deux guerres, coloniales et impériales. De l'intimisme à l'apocalypse (de la guerre française d'Algérie à la guerre américaine du Vietnam)
Benjamin Stora

Morocco and Morocco
Charles Silver

Le fonds cinématographique colonial aux Archives du film et du dépôt légal du CNC (France)
Eric Le Roy

A qui appartiennent les images ?
Marc Ferro

Other Papers  
Manuel Madeira, Richard J. Meyer, Emma Sandon, Mulay Driss Jaïdi, Michel Marie, Gregorio Rochas.

Bibliography: Colonial Cinema.

In Memoriam  
Jan de Vaal, Robert Daudelin.
Jan de Vaal, José Manuel Costa.
Eric Barnow, Patricia Zimmermann.
Hammy Sotto, Clodualdo del Mundo.

Publications received at the Secretariat

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JOURNAL OF FILM PRESERVATION #62  
April 2001

Film Preservation Around the World  
Fragile Heritage and Promising Outlook: Asian Film Archives Look Ahead While Lookin Back
Sam Ho

América Latina, Europa y Estados Unidos, relacionas triangulares en la historia del cine
Paulo Antonio Paranaguá

Film Archives of the National Archives of Zimbabwe
M.C. Mukotekva

Lighting Out a Collective Past: to Find, Preserve ans Research Flemish Non-fiction Films
Daniel Biltereyst & Roel Vande Winkel

Historical Column  
Nitrate Film Production in Japan: a Historical Background of the Early Days
Hidenori Okada

The Novels and Rediscovered Films of Michel (Jules) Verne
Brian Taves

Documentation
"What you Don't See and Don't Hear": Subject Indexing Moving Images
Olwen Terris

Technical Column  
El proyecto Madrid. Una investigación sobre la historia de la fabricación de película virgen para la cinematografía
Alfonso del Amo García

The Digital Intermediate Post-Production Process in Europe
Paul Read

Festivals  
Gosfimofond of Russia, Festival of Archival Films "Belye Stolby V"

Le Gionate del Cinema Muto 2000
Hillel Tryster

News from the Affiliates  
MoMA Celebrates Silent Cinema
Steven Higgins

Film Archiving at the National Film and Sound Archive
Screensound Australia

Cineteca del Friuli, Gemona: New Member.

Le fonds images animées du Musée Départemental Albert-Kahn
Jeanne Beausoleil & Jocelyne Leclercq-Weiss

Publications  
Stéphanie Côté about W.K.L. Dickson and Antonia Dickson, "History of the Kinetograph, Kinetoscope and Kinetophonograph

Roger Smither about the FIAF Nitrate Book: "This Film (Will Be) Dangerous…"

Valeria Ciompi about the "NO-DO, El tiempo y la memoria": "El arroz con leche del General Franco".

Publications received at the Secretariat.

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JOURNAL OF FILM PRESERVATION #60/61  
July 2000

Film Preservation around the World
Film Archives in the Nordic Countries, Collective
edited by Dan Nissen

Audio-Visual Archiving in the Baltic Countries. Summary of a Project Robert Egeter-van Kuyk

Les Etats Généraux du patrimoine cinématographique européen
João Bénard da Costa & José Manuel Costa

Technical Column  
Symposium Technique Mixte, JTS Paris 2000
Michelle Aubert & Richard Billeaud

Challenges for the National Film Collection in Vietnam
Ngo hieu Chi

A Brief History of Plasticized Cellulose Nitrate or Celuloid
Alfonso del Amo.

Historical Column  
As I Remember
Einar Lauritzen

Restoration of Die Abenteuer des Prinzen Achmed
Thomas Worschech & Michael Schurig

El ciné alemá y el ciné soviético en México en los años veinte
Aurelio de los Reyes

Le giornate del Cinema Muto 1999
Hillel Tryster

From the Vaults  
Une "cinématographothèque", Journal Ouest-Éclair, 1910.

In Memoriam  
Brigitte van der Elst
Raymond Borde, Robert Daudelin, Christian Dimitriu, Eileen Bowser.

James Card
Paolo Cherchi Usai

Mona Mitropoulos
Theodoros Adamopoulos

Kitty Vincke
Walter Schobert and colleagues of the Deutsches Filmmuseum.

News from the Affiliates  
New Affiliate: Baku - Dovlat Film Fond
Ayaz Salayev

Hilversum: The Dutch National Audiovisual Collection
Robert Egeter-van Kuyk

Montevideo - Cinemateca Uruguaya: Decreto del Gobierno
Manuel Martínez Carril

Madrid - Filmoteca Española, Luis Buñuel: la memoría de un hijo del cielo
Valeria Ciompi

México - Filmoteca de la UNAM, En torno a Buñuel
Salvador Plancarte

Book Reviews  
Henri Bousquet, De Pathé Frères à Pathé Cinéma, catalogue 1915 - 1918
Paolo Cherchi Usai

Jeanine Basinger, Silent Stars
Paolo Cherchi Usai

Publications received at the Secretariat

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Journal of Film Preservation #58/59  
October 1999

Open Forum  
Politique de Restauration du patrimoine: urgences et contingence
Ségolène Bergeon

La mémoire des Archives
Eric de Kuyper

Technical Column  
Wrinkled Emulsion Layer: Restoration by Transplanting to the Negative
Xu Jianh and Ge Xiangbei

The Color-Restoration of Faded Color Film Prints
Xu Jianh and Ge Xiangbei

Restoration of Faded or Yellowed Balck-an-White Silver Images
Xu Jianh and Ge Xiangbei

Degradación de las cintas autoadhesivas utilizadas en la películas Cinematográficas
Jennifer Gallego Christensen

Diagnóstico de acidez en acetato de celulosa en la Cineteca Nacional, México
Cecilia Díaz González

Historical Column  
Recreating Motion Pictures from Visual Artifacts
Daniel Woodruff

Mack Sennett au Québec, un aspect de sa formation scolaire: le cas de l'école de Pointe-aux-Trembles
Pierre Pageau

In Memoriam  
Vladimir Pogacic (1919 - 1999)
Azleksandar Parovic

Dr. Geoffey Wigoder (1922 - 1999)
Marilyn Koolik

Rolando Fustiñana (1915 - 1998) 
Paulina Fernández Jurado

New Affiliates  
Centro Galego de Artes do Imaxe, A Coruña

Cinémathèque Ontario, Toronto

News from the Affiliates  
Jerusalem SSJFA
Ljubljana SFA
Ljubljana SK
Los Angeles AFI
México CN
Moscow Gosfilmofond
Washington LC
FIAF 56the Cogress, London 2000

Regional Associations  
SEAPAVAA
Ray Edmondson

Publications  
The AFI Catalogue of Feature Films 1941 - 1959
Ken Wlaschin

Letters  
Reply to Gillian Anderson (Article in JFP#57)
Stephen Bottomore

Publications Received at the Secretariat

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Journal of Film Preservation #57
December 1998

FIAF Members News  
Amsterdam
Ivry
Madrid
Oslo

Historical Column  
Saturn: The Erotic Beginnings of Austrian Cinematography
Michael Achenbach & Paolo Canappele

Le Giornate del Cinema Muto - 1998
Hillel Tryster

Open Forum  
Preserving our Film eritage or Making Mongrels ? The presentation of Early (Not Silent) Films
Gillian Anderson

Those Mysterious Back Rooms
Ray Edmondson

Catologuing from Secondary Sources
Olwen Terris

Technical Column  
Film Restoration using Digital Technologies
Mark-Paul Meyer

Vapour-Sensitive Indicator of Image Media Deterioration
Chen Jingliang

Restoration(s)
"The Rugged Island"
Janet Mc Bain

Two Landmark chilean Films Restored in Montevideo
Manuel Martínez Carril

In Memoriam  
Tania Savietto (1947 - 1998) 
Thomaz Farkas

Alain Marchand
Dominique Païni

Projects  
The FIAF Nitrate Book Appeal
Roger Smither

Publications  
Filming Robert Flaherty's Louisiana Story / The Helen van Dongen Diary

Hong Kong Film Archive Publishes the Hong Kong Filmography

The Story of the Century! An International Newsfilm Conference

Publications received at the Secretariat  

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Journal of Film Preservation #56  
June 1998

News from the Affiliates  
Amsterdam
Jerusalem
Mexico

FIAF  
The Administration of the Federation: some Preliminary Results from an Analysis of Past Executive Committees of FIAF
Roger Smither

Historical Column  
80 Days: Discoveries from a Unique Collection
Brian Traves

Where do we go from here ?
Martin Koerber

Restoration(s)  
On "Wild" Film Restoration, or Running a Minor Cinematheque
Enno Patalas

Miracolo di Bologna
Peter von Bagh

New Restorations Projects: Le service des Archives du Film du CNC (Bois d'Arcy)

Open Forum  
Out of the Attic: Archiving Amateur Film
Jan-Christopher Horak

There was this Film about… The Case for the Shotlist
Olwen Terris

In Memoriam  
Ricardo Muñoz Suay (1917 - 1997)
Nieves López-Menchero

International Groupings  
The Council of North-American Film Archives - CNAFA
Iván Trujillo Bolio.

Third Nordic Film Archives Meeting
Vigdis Lian

SEAPAVAA - Two Years on Ray Edmonson

CLAIM Meeting held in Prague
Iván Trujillo Bolio

Association des Cinémathèques Européennes - ACE
José Manuel Costa

Publications
Uncharted territoty: Essays on early nonfiction film

Pierre Hébert, l'homme animé.

De la figure au musée imaginaire.

AFI publishes catalog on Ethnic-american films

Jubilee Book. Essays on Amateur Film/Rencontres autour des Inédits.

Footage: The Worldwide Moving Image Sourcebook

La Crise des Cinémathèques… et du Monde

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Journal of Film Preservation #55  
December 1997

Special Issue: Manual for Access to the Collections  
The President's Message

What is Access?

Access - Why?

Access, well, naturally. But…

Access - to what ?

The Users  
The Internal User

The External User (a Classificatio)

Regulating Access: Selection

Requests Made by Visitors

Communication between Users and Archives  
Direct Access to the In-House Catalogue

Legal Difficulties

Complexity of the Catalogue System

Is Direct Access to the Catalogue Important ?

Alternative Methods

Oral / Telephone Communication between User and Archive

Written Communication

Personal Contact

Internet / National Moving Image Database (NAMID)

Internal Networks and CD-ROM

Publications

Priorities and Selection

Formalities Relating to Access  
Copyright Owners

Administrative Procedures

Preparations for Access

Technical Facilities

Viewing Tables

Differences in Services

Video, Laser Disc and CD-ROM

Projection Room and Cinema

Limitations Placed upon Viewing

Reproductions  
Film on Film

Film on Video

Film on CD-ROM

Film as Photographs

Film Distribution  
On the Relationship between Archive and User

Epilogue

Appendix

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Journal of Film Preservation #54  
April 1997

FIAF News  
Le bureau de Bruxelles

Grant from Getty Foundation

The 1998 FIAF Summer School at Georges Eastman House

Our New Subscribers  
Nova, musée vivant du spectacle cinématographique, Bruxelles

News from the Affiliates  
Amsterdam
London
Madrid
Praha
Mexico

Open Forum  
Legislation Assiting the Work of the Gneralitat Valencian Film Library Archive
Elena Vilardell Escot

A Modern Art of Ruins 
Dominique Païni

New Restoration Projects  
The New Lot Renewed
Roger Smither

Preservation of Manaki Brothers Film Heritage
Igor Stardelov

Documents  
Cataloguing and Filming of Motion Picture Films
John E. Abbott

Technical Column  
The Restoration of Archives Using Digital Techniques
Brian Jenkinson

A Brief Note on Dye Stability
Ross Lipman

Historical Column  
The 100 Most Important German Films by Kinemathekverbund

Sur les traces du film roumain muet
Diu-Ioan Nicola

The British Film Copyright Collection
Richard Brown

Le Giornate del Cinema Muto, Pordenone, 12 - 20 October
Jan-Christopher Horak

Publications  
Lumière ety mouvement. Incunables de l'image animée 1420-1896
Disorderly Order: Colours in Silent Films
Cinéma 1900 - Trente films dans une boîte à chaussures

Offered - Wanted  
La Bibliothèque du Film (BiFi) recherche des numéros de revues.

In Memoriam  
Todor Dimitrov Andreykov (1933-1997)
Louise Beaudet (1927-1997)

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Journal of Film Preservation #53
November 1996

Special Section: On Programmating  
Les droits des archives, préserver et présenter
Gabrielle Claes

Comme dans un musée
Dominique Païni

Our New Affiliates  
National Film, Video and Sound Archive, Pretoria

Sound and Image Archive, The National Library, Rana

Archives Nationales du Film de Bosnia et Herzegovina, Sarajevo

News from the Affiliates  
Barranquilla
Frankfurt
Montevideo
Moskva
New York
Paris, BiFi
Paris, CF
Quito
Rochester

Documents  
The Cinema After 100 Years
Egon Jacobsohn

Open Forum - The Amateur Film

Experience of an Amateur Filmmaker
Norman MacLaren

Cine amateur en Catalunya
Anton Gimenez

Amateur/ Alternative Film in Slovenia
Silvan Furlan

Amateur Film as Historical Record - A Democratic History?
Peter MacNamara

Par delà les mariages et le baptèmes
Micheline Morisset

Early Amateur Films by Julius Neubronner: Restored
Walter Schobert

Problems of Independent Film Preservation
Ross Lipman

Appareils de tous formats
Pierre Véronneau

Historical Column  
Refound Films, with Happiness
Peter von Bagh

Programming Vistorian Cinema
Luke McKernan

Publications  
Newsreels in Film Archives
Maître des lions et des vampires, Louis Feuillage
Les Cahiers du muet
Vamp: The Rise and Fall of Theda Bara
Alfred Machin
Le Cinéma des Lumière
National Film and Sound Archive (Australia): Catalogue on CD-ROM

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Journal of Film Preservation #52  
April 1996

Special Section: Preserving the Non-Fiction Films (Los Angeles Symposium on non fiction films)  
Working in the Film World of Non Fiction
William T. Murphy

Non Fiction Film and Natural Culture
Janet Mc Bain

The Massive Mess of Mass Memory
Iola Baines & Gwenan Owen

Artifacts of Cultrure
Karen Ishizuka

Collecting Films of the Jewish Diaspora: The Role of the Steven Spielberg Jewish Film Archive
Marilyn Koolik

FIAF News  
Some thoughts on Accessing Film Collections
Sabien Lenk

Symposium on Archival Rights
Hoos Blotkamp

Our New Affiliates  
Fundación Cinemateca del Caribe, Colombia

News from the Affiliates  
Amsterdam
Buenos Aires
Los Angeles, AFI
Montréal
New york, Anthology Film Archive
Paris, CF
Praha
Valencia
Washington, Library of Congress
Wien, FA

New Restoration Projects  
Proyecto Lumière
Seoul, Korean Film Archive

Technical Column  
With Williamson Beneath the Sea
Brian Taves 

Open Forum  
Biennale internationale

Publications  
Catalogue illustré de la collection des appareils de la Cinémathèque française

In Memoriam
Cosme Alves Netto
Fred Junck

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Journal of Film Preservation #51  
November 1995

The Future of FIAF  
FIAF Long Term Planning by

Wolfgang Klaue
Roger Smither
Jan-Christopher Horak
Hoos Blotkamp
Robert Daudelin

FIAF News  
Congrés de la FIAF 1996 à Jérusalem

News from the Affiliates  
Glasgow
Habana
México, C.N.
Moskva
New York, Anthology Film Archive
Tehran
Washington, Library of Congress

Open Forum  
The ASEAN Connection, Ray Edmondson
The National Film Preservation Plan: an Implementation Strategy, Library of Congress, Washington

Research  
The Sulphur Springs, Texas Early Films Discovery, Rick Worland

Publications  
Scottish Film Archives Catalogue, 1st Edition
Film and Television Collections in Europe: the MAP-TV Guide

In Memoriam  
Jerzy Toeplitz, by Jan de Vaal, Wolfgang Klaue & Jerzy Plazewski

Journal of Film Preservation #50 

March 1995