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Education
FIAF-Ibermedia School on Wheelsl
What is it?
Report 2009-2010
Application Form
Next Summerschool
Bologna 2012
Preliminary Information
Programme
Participants & Deadlines
Summer School
Application Form
Partners
Past Summerschools
Bologna 2010
Bologna 2009
Bologna 2008
Bologna 2007
Rochester 2002
European Project EDcine
Information
Archimedia
2003 Programme
2002 Programme
Selznick School
Course Structure
U.C.L.A
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Education
FILM
RESTORATION SUMMER SCHOOL
FIAF SUMMER SCHOOL - BOLOGNA 2012
Film
restoration online theory course
:
distance learning, M
ay
9th to June 20th (on Wednesdays)
Theory lectures and Il Cinema Ritrovato film festival:
Bologna, June 23rd through June 30th
Restoration practice classes:
Bologna, July 2nd through July 13th
(the complete information
on the Film Restoration Summer School / FIAF Summer School -
Bologna 2012 is also available on pdf format by clicking -
here -
1. Introduction
Work in progress
In 2012 the Film Restoration / FIAF Summer School is being
held for the fifth time. Once again the Fédération
Internationale des Archives du Film (FIAF) and the Association
des Cinémathèques Européennes (ACE) have
combined their efforts with Cineteca di Bologna and L’Immagine
Ritrovata film restoration and conservation laboratory to
organize the Film Restoration / FIAF Summer School 2012, held
annually since 2007.
After the success of previous editions, FIAF, ACE, Cineteca
di Bologna and L’Immagine Ritrovata are looking forward
to running a new training course in the field of film restoration.
Like previous Summer Schools, the 2012 course is aimed at
specialists and film archive staff. During the participant
selection process, priority will be given to those working
in FIAF and ACE member institutions.
A total of 143 participants have taken part in previous years,
representing 47 countries (Algeria, Austria, Belgium, Brazil,
Canada, China, Colombia, Croatia, Cuba, Egypt, Estonia, Finland,
France, Georgia, Germany, Greece, Holland, Iceland, India,
Iran, Ireland, Israel, Italy, Japan, Jordan, Kenya, Lebanon,
Luxembourg, Macedonia, Mexico, Morocco, New Zealand, Nigeria,
Norway, Poland, Romania, Serbia, Slovakia, Slovenia, South
Africa, Spain, Sweden, Thailand, Tunisia, Turkey, United Kingdom,
USA).
Why does FIAF SUMMER SCHOOL focus on restoration?
While there are many private and state film archives, specialized
laboratories are quite few in number. Every year a considerable
number of titles are restored by numerous film archives. Therefore,
it appears necessary for today’s curators and their
staff to be trained in the use of the newest digital equipment
for the preservation and restoration of film heritage, and
to learn about digital strategies for access to material.
Furthermore, all students who are interested in working in
a film archive and/or film restoration laboratory in
the near future should develop highly specialized digital
and photochemical skills to enter this field.
IL CINEMA RITROVATO FILM FESTIVAL
Film restoration gives us the fantastic opportunity of bringing
films back to the big screen and to the audience, as such
presenting and exhibiting restored films is an active part
of the restoration process. For this reason the Film Restoration
/ FIAF Summer School project takes place mainly in Bologna,
in conjunction with Il Cinema Ritrovato film festival, a true
meeting place for researchers and experts (http://www.cinetecadibologna.it/cinemaritrovato2012).
In 2011 Il Cinema Ritrovato film festival involved over 50
film archives from all over the world, and had an audience
of over 67,000. The connection between learning about digital
and photochemical restoration and an event such as Il Cinema
Ritrovato film festival is a close one, as while it is important
to put restoration into practice and to learn how to restore
a film it is equally as important to understand how films,
restored by different archives, can be exhibited today.
Targets and final aim
The project’s main objective is to teach and update
participants on how to restore and preserve a film through
the use of photochemical and new digital technologies. Participants
will have the chance to experience everyday work in a highly
specialized laboratory; they will follow every step of the
process through all departments, from beginning to end. Film
Restoration / FIAF Summer School 2012 participants are expected
to develop and practise a specific set of skills: operating
all digital and photochemical equipment in an archive and/or
laboratory; following a complete restoration workflow; performing
all the primary necessary operations needed to restore a film;
evaluating the state of conservation of a film and choosing
the best practice to restore, reconstruct and preserve it.
After completing the Film Restoration Summer School participants
will:
- know how a film can be restored using new digital and analog
technologies in a modern, flexible work environment;
- be able to manage a complete restoration workflow;
- know how to choose the best format to restore a film and
have it digitized from film support to 35mm, DCP, HD and SD
broadcasting until DVD support;
- be able to discuss each step of a restoration project in
detail with a restoration laboratory;
- know the various approaches to restoration of different
FIAF archives;
- know how to manage a film restoration project budget.
Finally, past editions of the Film Restoration / FIAF Summer
School have proved to be an excellent meeting ground for people
working in the same field. It represents a great opportunity
for participants to initiate collaborations on possible future
restoration projects.
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